Page 206 - Confronting Race Women and Indians on the Frontier, 1815 - 1915
P. 206

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             whites fo und unacceptable.  Indians, who  were  usually  deferential  and
             even ingratiating to whites, were willing to "perform" fo r white women
             because it gave  them a rare opportunity to  act out their dissatisfaction
             in aggressive ways  that would be unacceptable to whites in other situ­
             ations.  159 As a result, white women generally viewed beef issues as a col­
             orful gathering of native peoples, but were  often repulsed by  Indians'
             fe rocity as they slaughtered and disemboweled animals.  16o  W o men usu­
             ally f o und ball games and stomp dances entertaining, but sometimes sus­
             pected that certain performers ingested drugs and hallucinogens.  161
                 Indian war dances  and mock battles were even more problematic
             f o r white women.  Some  regarded them as  interesting social  affairs.  162
             Although one woman was pleased when Nez Perce Indians prepared a
             mock  battle  fo r  her  mother's  first  visit  to  Oregon,16 3  other  women
             admitted  that such performances raised their inner anxieties. Whether
             they realized it or not, these women reacted to an expression of Indian
             identity ,  and perhaps  to  a subliminal  challenging of white hegemony,
                                                      .
             that  permeated  these  "harmless"  exhibitions 1 6 4  In  r875, Wyoming
             visitor  Laura Johnson  watched  nervously  as  Sioux  filed  toward  Fort
             Fetterman to stage a dance. Although impressed with their attire, she f e lt
             that  the  dancers  represented "a piece of real  savage life." T o   her, these
             Sioux  were  "of the  wildest  kind,  about  as  savage  as  any  there  are."
             Insightfully,  she  viewed  the  male  dancers  as  close  to  the "real  thing"
             rather  than  imitation. 1 6 5  Similarly,  during  the  r 8 90s  Ellen  Biddle
             observed Indian dancers moving toward Fort Robinson in fu ll regalia.
             "Few people," she wrote, "can see a tribe of Indians marching toward
             them, even without their war paint, without f e eling a thumping of the
             heart and a trembling of the limbs; at least that was my experience." She
             added that the dance, attended by people f r om miles  around the fo rt,
             was  a  "tremendous  success,"  presumably  as  an  exotic  f o rm  of
             entertainment.  166
                 Other women responded f e arfully to the dances that they witnessed.
             Whatever accommodations they had made with Indians were too recent
             and  wounds  too  deep  f o r  these  performances  to  be  innocuous.  One
             women enjoyed a Paiute dance, but, due to recent "unpleasant experi­
             ence with their neighbors, the Shoshones," she "felt more comfortable
             when  they  were  gone."  16 7  Another,  stunned  by  the  fe rocity  of the
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