Page 129 - Contemporary Cultural Theory
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FEMINISM

            prized in post-structuralist thought. “Her sexuality…is plural”, she
            writes, “Is this the way texts write themselves/are written now?…
            woman has sex organs more or less everywhere She finds pleasure
            almost everywhere…the geography of her pleasure is far more
            diversified, more multiple in its differences, more complex, more subtle,
            than is commonly imagined—in an imaginary rather too narrowly
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            focused on sameness”.  And this is a matter not only of writing, but
            also of speech. For Irigaray, the female body gives rise to a distinctive
            women’s language, parler femme, in which “‘she’ sets off in all
            directions… in what she says…woman is constantly touching herself”. 50
              Showalter’s insistence that “there can be no expression of the body
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            which is unmediated by linguistic, social, and literary structures”  is,
            of course, true, but is nonetheless much less pertinent to the kind of
            argument advanced by Cixous and Irigaray than it might at first appear.
            What is at issue is not biological determinism, as Showalter supposed,
            but rather the nature of writing and of female sexuality, and of their
            possible connections, given the undoubtedly mediated ways in which
            the body finds cultural expression. A more serious objection, surely,
            is that which Juliet Mitchell directs at Kristeva, but which could easily
            be turned toward Cixous and Irigaray: that, insofar as femininity is
            indeed like this, then it is so only by virtue of the effects of patriarchal
            oppression. This “is just what the patriarchal universe defines as the
            feminine,” Mitchell writes “all those things that have been assigned
            to women—the heterogeneous, the notion that women’s sexuality is
            much more one of a whole body, not so genital, not so phallic. It is not
            that the carnival cannot be disruptive of the law; but it disrupts only
            within the terms of that law”. 52
              Mitchell and Kristeva share a common interest in the work of
            Jacques Lacan, the post-structuralist psychoanalyst whose work had
            aspired to a synthesis between Freud and Saussure. Lacan’s fundamental
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            insight that “the unconscious is structured like a language”  had led
            him to the notion that language and sexual identity are simultaneously
            acquired, or better perhaps, simultaneously required. For Lacan, the
            child originally inhabits a pre-Oedipal “imaginary” characterized by
            speechless identity between child, mother and world. Entry into the
            symbolic order of language, and the acquisition of subjectivity, are
            achieved only at the price of a loss of this imaginary identity with the
            mother. The symbolic order is thus masculine, it is, in short, the law
            of the father. Lacan is clear that the imaginary must be superseded by


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