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MARXISM

            productive activities without assuming in advance that only some of
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            them are material”.  If Williams retains a concept of determination,
            then, it is a concept of multiple determination, more akin to the
            culturalist sense of a whole way of life than to the Marxist notion of
            a determining base and a determined superstructure. But that whole
            way of life is now both thoroughly material and thoroughly marked
            by the impress of power and domination, in all its particular aspects.
            What for Leavis had been a “literature”, a canon of exemplary creative
            works expressive of the national tradition, and what for Marxism
            had been an ideological superstructure of the economic system, becomes
            in Williams’s cultural materialism a distinctive subset of socially specific,
            materially determinate, forms and practices.
              Comparison between Eagleton’s Criticism and Ideology and
            Williams’s Marxism and Literature shows nicely how structural
            Marxism and cultural materialism offered alternative, and in some
            ways opposed, ways out of the theoretical deadlock between culturalism
            and Marxism. The analytical logic of Althusserianism pointed towards
            a perennial search for the impress of ideology concealed within the
            deep structures of the text. Though the enabling rhetoric was both
            radical and contextual, the substantive focus remained the business
            as usual of literary-critical canonical exegesis. By contrast, the analytical
            logic of cultural materialism pointed towards a necessary decentring
            both of texts into the contexts of their production, reproduction and
            consumption, and of Literature into culture, literary studies into cultural
            studies. If Williams’s rhetoric was a great deal less “revolutionary”
            than Althusser’s, the substantive case at issue was surely very much
            more so. Certainly, this was to prove Eagleton’s own eventual
            assessment: “Williams…refused to be distracted by the wilder flights
            of Althusserian…theory and was still there, ready and waiting for us,
            when some of us younger theorists, sadder and wiser, finally re-emerged
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            from one or two cul-de-sacs to rejoin him where we had left off” .
              From the early to mid 1980s onwards, cultural materialism seems
            to have attracted an increasing audience both amongst erstwhile
            Althusserian recidivists, including Eagleton himself, and amongst
            younger scholars such as those associated with the journal News From
            Nowhere and “Oxford English Limited”. The introduction to a 1985
            collection of New Essays in Cultural Materialism cites as instances of
            such work: Terry Lovell, Janet Wolff, Alan Sinfield and the Terry
            Eagleton of Literary Theory.  Both Lovell and Wolff have continued
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