Page 188 - Contemporary Cultural Theory 3rd edition
P. 188

ContCultural Theory Text Pages  4/4/03  1:42 PM  Page 179





                                      Postmodernism and cultural theory



                     the representable’ (p. 211). It goes without saying that we are all,
                     Baudrillard included, a part of the masses (p. 212).
                       By and large, contemporary cultural criticism has found
                     Lyotard’s celebration of postmodernity much more interesting
                     than Bell’s indictment. But note their common origins in a North
                     American, rather than European, perception of the postmodern
                     as at once uniquely contemporary and uniquely transgressive.
                     Lyotard’s various accounts of the postmodern were stories told
                     by a Frenchman, it is true, but told in the first place to Canadi-
                     ans. These American connotations have persisted, most obviously
                     in the sense of the American present as an anticipation of Europe’s
                     near future. So, for Baudrillard, the Americans ‘were a marginal
                     transcendence of that Old World’, but ‘are today its new, eccen-
                     tric centre . . . It will do us no good to worry our poor heads over
                     this. In Los Angeles, Europe has disappeared’ (Baudrillard, 1988a,
                     p. 81). Which suggests that no matter how French its theoretical
                     accents, postmodernism remains peculiarly visible from a New
                     World, extra-European vantage point. Lyotard’s tales were also,
                     however, grand narratives of dissolution, bespeaking a political
                     and cultural history more fraught than those endured by the
                     European colonies of settlement in the Americas and Australa-
                     sia. Modernity was thus quite specifically European, its
                     transcendental illusions explicitly those of Hegel and Marx, its
                     terrors those of Stalin and Hitler. Postmodernity is thus to moder-
                     nity as the New World is to the Old, as California is to France,
                     but also as the Californianisation of France and the Disneyfication
                     of Paris.



                     POSTMODERNISM AND THE INTELLIGENTSIA

                     Whichever account of postmodernism we adopt, we should note
                     that what is being charted is primarily an endogenous trans-
                     formation, internal to post-elite culture itself, rather than to any
                     wider, mass or popular culture. Postmodernism has doubtless
                     entered the vocabulary of popular style, much as did French exis-
                     tentialism, for example, in the years immediately after the Second
                     World War (Heller, 1990). But such popular borrowings from elite

                                                 179
   183   184   185   186   187   188   189   190   191   192   193