Page 34 - Courting the Media Contemporary Perspectives on Media and Law
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―Mediated Forensics: From Classroom to Courtroom‖     25


                             Reality television blurs the line of fiction and reality, and begins to depict legal
                             and  court  processes,  from  police  investigation,  to  prosecution,  to  trial  and
                             judgment, in a fully televised format.
                                 It is thus possible that the students‘ reaction to the material was to a sense
                             of it being out of its context of the full judicial process. As law students, they
                             would respond more intelligibly if the full context of processes surrounding
                             this evidence were present or observed. The issues of media and legal literacy
                             thus  interweave,  in  the  immediate  context  of  the  screening  of  video  as
                             classroom material. The issue is not merely a matter of interpretation of the
                             message in its own forms or genres, but of dynamic translation and discursive
                             reconstruction of messages into social and professional contexts. Interpretation
                             involves  identification  and  recognition  and  some  of  these  socialised  and
                             professional  links  could  be  unknown  or  absent  in  student  reception  of  the
                             particular sequence.
                                 Their response to selective use of video evidence also points to the wider
                             and  unfulfilled  potential  for  the  use  of  video  and  television  in  court
                             environments. The American shows in fact might satisfy these needs in young
                             undergraduate viewers because they realize a potential and informative content
                             about  mediated  court  proceedings  that  would  put  court  domains  on  equal
                             footing with other parts of society that are accessible and represented on video
                             media.  That  is,  television  can  help  legitimate  social  reality  and  set  a
                             presentational framework for an assessment of truth.
                                 The wider issue of cameras and courts is a large issue that can only begin
                             to be addressed in this paper [Pearson] [Howard]. For instance, it is becoming
                             an emerging issue in France, a country which is otherwise very restricted in
                             media  access  to  courts,  with  the  proposed  introduction  of  video-conference
                             testimony  in  the  case  of  trials  involving  witnesses  from  overseas  territories
                             (Guyanna, Polynesia, La Réunion, St Pierre & Miquelon, etc.). There are of
                             course  philosophical  and  other theoretical  issues  at  stake  in  any  idea  of  the
                             ―televised‖ or ―televisual‖ court. Can the subtlety of legal argument, in written
                             form, be represented in a video environment? Will the witness testify in front
                             of the camera as he would in a real courtroom? Wouldn‘t the camera‘s focus
                             on  the  witness‘s  face  be  too  narrow  to  allow  for  perception  of  other
                             participants? In view of such reservations, the initial reaction of many French
                             judges to the prospect of videoconference trials is a decided ‗No‘.
                                 Can multi media supplement visual presentation with logical and written
                             aids? Television has always specialised in caption and on screen text. It would
                             be a sensible progression to envisage court media continuing the multi-media
                             presentation of varieties of content and image. Recourse to philosophers such
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