Page 42 - Courting the Media Contemporary Perspectives on Media and Law
P. 42

In: Courting the Media: Contemporary …      ISBN: 978-1-61668-784-7
                             Editors: Geoffrey Sykes            © 2010 Nova Science Publishers, Inc.






                             Chapter 3



                                  THE MAN IN THE GALLERY WITH THE

                             WRITING ON HIS FACE: DEPICTIONS OF THE
                                    AUDIENCE AT THE DIANA INQUEST


                                                      Graham White
                                                 Roehampton University, U.K.


                                                        ABSTRACT

                                    Press and media interest in the apparently peripheral social elements
                                 at the Diana Inquest often centred on lack of public interest in the daily
                                 proceedings  and on  the activities of the  small band  of members of the
                                 public who were regular attendees. The focus in much press commentary
                                 on the ‗oddity‘ and isolation of this group tended to identify them as the
                                 misguided  spectators  of  a  charade,  and  their  small  number  became  an
                                 index  of  the  pointlessness  of  the  proceedings.  Using  elements  of
                                 performance analysis derived from theatre and performance studies, this
                                 essay argues that such media focus on these figures and their behaviour
                                 highlights  the  interpretation  of  social  performance  as  a  significant
                                 component  in  the  narration  of  legal  proceedings.  Media  commentators
                                 tended  to  cast  their  own  journalistic  readings  of  the  social  interactions
                                 and performances they witnessed around the courtroom as authoritative
                                 and  objective  while  deriding  private  spectators‘  own  readings  of  such
                                 encounters as delusional. This article considers how such interpretation of
                                 social  performance  in  the  courtroom  is  employed  in  the  range  of
                                 conspiratorial  narratives  circulating  around  the  Inquest  –  both  those
                                 propounded by members of the public audience (which, for them, expose
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