Page 160 - Critical Political Economy of the Media
P. 160

Marketing communications and media  139

             economic aspects that a materialist political economy of communications should
             examine (Meehan 1993). Taking commercial, free-to-air television as his focus
             Smythe argued that the commodity produced by media is an audience com-
             modity. Media content is the ‘free lunch’ used to recruit potential members of
             the audience and to maintain their local attention in order to sell them to
             advertisers (1977: 5).

                 The appropriateness of the analogy to the free lunch in the old-time saloon
                 or cocktail bar is manifest: the free lunch consists of materials which whet
                 the prospective audience members’ appetites and thus (1) attract and keep them
                 attending to the programme, newspaper or magazine, and (2) cultivate a mood
                 conducive to favourable reaction to the explicit and implicit advertisers’
                 messages.

               The media manufacture audiences as a commodity that can be sold to
             advertisers for a profit derived from the surplus value created by audience
             ‘labour’. Smythe applied Marxian labour theory to the ‘work’ of audiences, who
             produce themselves as the audience commodity. Audiences also labour for
             advertisers ‘to learn to buy particular “brands” of consumer goods, and to spend
             their income accordingly’ (1977: 6). Audiences ‘work to market [ … ] things to
             themselves’ (Smythe 1981: 4); they ‘self-market’ (Jhally 1990: 67). Mattelart
             (1989: 203) praises Smythe for offering ‘one of the first analyses of the organic
             link between advertising and the way the media function’. Smythe’s work
             inspired and influenced North American political economy analysis and debates
             (Jhally 1990; Meehan 1993, 2005), but was criticised by contemporaries on a
             variety of grounds.
               Murdock (1978) challenged Smythe’s dismissive account of the Western
             Marxist tradition (influenced by the latter’s Maoist sympathies) but their
             exchange reflected a more enduring division between Smythe’s structural-
             functionalism and Murdock’s espousal of a cultural materialist tradition (chapter
                 1
             one). Basing analysis on the ‘function’ of media necessitates an account of
             system-supporting ‘success’ that negates the scope for contestation and resistance,
             features that Smythe is elsewhere keen to acknowledge and promote. In Dependency
             Road (Smythe 1981: 270), he writes:

                 True, people are subject to relentless pressures from Consciousness Industry;
                 they are besieged with an avalanche of consumer goods and services; they
                 are themselves produced as (audience) commodities; they reproduce their
                 own lives and energies as damaged and in commodity form. But people are
                 by no means passive or powerless. People do resist the powerful and manifold
                 pressures of capital as best they can.

               Yet this appeal to agency is undermined in the ‘blindspot’ essay by a func-
             tionalist explanatory framework which elides the system-supporting ‘function’ of
   155   156   157   158   159   160   161   162   163   164   165