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Globalisation, transnationalisation, culture  173

             liking for home-grown programming’ (Iosifides et al. 2005: 6). Audiences around
             the world prefer to watch their own locally made programmes in their own
             national language (Tunstall 2008). This preference for ‘cultural proximity’ is
             an important corrective to ‘strong globalisation’ theories, although the pattern
             varies. As Straubhaar (2002: 200) argues ‘National cultures vary in their appeal
             to domestic audiences, although this tends to be a crucial local advantage.
             National media’s ability to compete with foreign imports varies depending on
             homogeneity and acceptance of local culture’. Cultural proximity also provides
             another dimension of localisation. Producer behaviour ‘follows commercial
             imperatives but will tend to follow the demands of the domestic market or
             audience when resources allow’ (Straubhaar 2002: 200).

             Flows, formats, production and labour

             The importance of integrating political economic and cultural analysis is espe-
             cially evident in tracing contemporary features of media globalisation, notably
             the cultural and economic dimensions of formats and the internationalisation of
             cultural labour. In fact, early academic formulations of cultural imperialism were
             attentive to the diversity of such flows, even if these were conceived within a
             restricted conception of interstate relations. In his ‘generic’ concept of media
             imperialism Boyd-Barrett (1977: 120) identified transnational flows as taking four
             main forms:

             1 the shape of the communication vehicle
             2 a set of industrial arrangements
             3 a body of values
             4 specific media contents.

             Dissemination ranged from hardware and content to professional values as well
             as domination of international news reporting by Western agencies. Later scholars
             extended analysis of the range of cultural flows, encompassing language, religion,
             education and travel (Sreberny-Mohammadi 1996), and acknowledging media
             as only one part of broader cultural interconnectedness (Held et al. 1999). Above
             all, multidirectionality came to be emphasised, and by the late 1990s at least was
             confirmed by the growing media influence and ‘software’ exports of East Asia
             (Japan, South Korea), Latin America (especially Brazil and Mexico), Australia,
             India and China (Tunstall 2008).
               The transnationalisation of media production has long been a focus for CPE
             scholars but more recent work has brought renewed attention to labour. The
             spatial mobility of capital has been enhanced, weakening state power and
             weakening the power of organised labour. Capital has shifted from regarding
             developing countries as suppliers of raw materials to treating them as setting the
             price of labour. Developing countries, regions and ‘free trade zones’ within states
             compete to attract capital investment. Shifts in bargaining and power relations
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