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58  Mapping approaches and themes

             Problems in the media: marketisation
             CPE is associated most of all with a critique of marketisation. For Murdock and
             Golding (1999: 118; Murdock 2003), marketisation means ‘all those policy
             interventions designed to increase the freedom of action of private corporations
             and to institute corporate goals and organizational procedures as the yardsticks
             against which the performance of all forms of cultural enterprise are judged’.
             Among the main processes of ‘marketisation’ have been privatisation, ‘the sale of
             public communication assets to private investors’. In Europe, this occurred
             across the telecommunications and broadcasting sectors, for example in the
             controversial privatisation of the French public channel TF1 in 1986 (Kuhn
             1995: 185–98). Another feature has been liberalisation, the introduction or extension
             of competition in media markets by ‘opening up previously monopoly or
             restricted markets to new entrants’ (Murdock and Wasko 2007: 2). This occurred
             across Europe in broadcasting (Humphreys 1996; Hardy 2008). A third process
             is known as deregulation but is better described as liberalising re-regulation. This
             refers to shifts in regulatory regimes towards relaxation of rules and greater
             reliance on industry self-regulation, resulting in a shift from the defence of
             ‘public interest’ objectives to the promotion of corporate interests (Murdock
             2003: 20). A fourth process is corporatisation, pressurising public organisations to
             emulate profit-oriented businesses by seeking new sources of income and max-
             imising their market value. The pursuit of marketisation worldwide over recent
             decades has ‘involved a concerted institutional and ideological attack on the
             established organization of public culture’ (Murdock and Wasko 2007: 2).
               The critique of marketisation highlights the deficiencies of media markets to
             provide the range of information and cultural resources to serve citizens and
             users. This highlights problems arising from corporate ownership of the media;
             concentration of ownership, the range of content produced and the values pro-
             moted by capitalistic market provision of media services (Thomas and Nain 2004).
             There are many dimensions of the critique but key tenets are that the provision
             of media under market conditions does not and cannot realise the full potential
             of media to serve democracy, citizens and the common good.
               There are classical arguments in defence of market provision of media, but
             also contemporary perspectives that refute the diagnosis as well as the proposed
             treatments that CPE advocates. In summary these argue that problems of control,
             scarcity of supply, limitations in the quality and diversity of information and
             cultural expression, and lack of access, have been or are being overcome. Conse-
             quently, ‘critical’ political economy is no longer accurate, appropriate or salient. A
             critique of corporate concentration made sense in the latter half of the twentieth
             century, it is argued, but contemporary media and communications are more
             diverse, independent, open and critical than ever before. We’ll examine these
             claims through the rest of the book. The aim of this chapter is to take a brief
             tour through the main perspectives and debates, in order to identify underlying
             issues, perspectives and problems.
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