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224 Critical Theories of Mass Media
Barker, M. and Brooks, K. (1998) Knowing Audiences: ‘Judge Dredd’ –
its Friends, Fans, and Foes. Luton: University of Luton Press.
Barker, M. and Brooks, K. (1998) ‘On looking into Bourdieu’s black
box’ in R. Dickinson, R. Harindranath and O. Liné (eds.)
Approaches to Audiences: A Reader. London: Arnold.
Barthes, R. (1973 [1957]) Mythologies. London: Paladin Books.
Barthes, R. (1982) Camera Lucida. New York: Hill and Wang.
Baudrillard, J. (1981) For a Critique of the Political Economy of the Sign.
New York: Telos Press.
Baudrillard, J. (1983a) Simulations. New York: Semiotext(e).
Baudrillard, J. (1983b) In the Shadow of the Silent Majorities. New York:
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Baudrillard, J. (1988) Ecstasy of Communication. New York: Semi-
otext(e).
Baudrillard, J. (1990a) Seduction. London: MacMillan.
Baudrillard, J. (1990b) Fatal Strategies. London: Pluto Press.
Baudrillard, J. (1993) The Transparency of Evil: Essays on Extreme
Phenomena. London: Verso.
Baudrillard, J. (1996a) The Perfect Crime. London: Verso.
Baudrillard, J. (1996b) The System of Objects. London: Verso.
Baudrillard, J. (1997) Art and Artefact. Ed. N. Zurbrugg. London:
Sage.
Baudrillard, J. (1998) The Consumer Society. London: Sage.
Baudrillard, J. (2002) The Spirit of Terrorism. London: Verso.
Baudrillard, J. (2005) The Conspiracy of Art. Cambridge, MA: MIT
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Benjamin, W. (1973) Illuminations. Trans. H. Zohn. London: Fon-
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Benjamin, W. (1985a) Charles Baudelaire: A Lyric Poet in the Era of High
Capitalism. Trans. H. Zohn. London: Verso.
Benjamin, W. (1985b) One Way Street and Other Writings. Trans E.
Jephcott and K. Shorter. London: Verso.
Berman, M. (1983) All That is Solid Melts into Air: The Experience of
Modernity. London: Verso Books.
Biressi, A. and Nunn, H. (2004) Reality TV: Realism and Revelation.
London: Wallflower Press.
Blair, D. (2007) Geldof and Bono blast G8 for betraying Africa,
Telegraph Online, 10 June.
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wgeight109.xml. (accessed 28 June 2007).
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