Page 13 - Critical and Cultural Theory
P. 13

GENERAL  INTRODUCTION
    individually,  and  in  any  order,  as  discrete  entities.  The  choice  of
    one  or  the  other  type  of  reading  will  depend  on  the  reader's  own
    interests and  research  priorities.

    /.  Linear  route

    The  structure  of  the  language  in  which  this  book  is  written
    requires  propositions  to  unfold  in  a  linear  fashion.  Following  this
    logic,  the  text  can  be  seen  to  trace  a  sequential  trajectory,  and  its
    three parts  can  be read  accordingly.
      Part  I  offers  an  introduction  to  a  variety  of  critical  positions
    concerned  with  the  relationship  between  the  world  and  the
    symbolic  systems  (such  as  words,  visual  images,  social  codes  and
    conventions)  through  which  a  culture  unrelentingly  endeavours  to
    'make  sense'  of its world.  Part  II  concentrates  on  the cultural  stra-
    tegies  through  which  people  and  their  environments  are
    constructed,  both  physically  and  psychologically,  in  ideological,
    political,  sexual  and  racial  terms.  Part  III  explores  some  of  the
    ways  in  which  critical  theory  and  cultural  theory  have  engaged
    with  issues  of  perception  and  knowledge,  with  reference  to  art,
    popular  culture,  science  and  technology.  The  sequential  movement
    from  Part  I  through  Part  II  to  Part  III  could  be  summarized  as
    follows.  The  symbolic systems through  which the  world  is  encoded
    and  understood  (Language  and  Interpretation)  underpin  all
    cultural  formations,  their  power  structures  and  their  intersubjec-
    tive  relations  (Social  Identities)',  a  society's  makeup,  in  turn,  both
    produces  and  is  produced  by  systems  of  Knowledge  designed  to
    relate  individual experiences  to  collective concerns,  objectives  and
    desires.  The  linear  progression  just  described  constitutes  only  one
    aspect  of  Critical  and  Cultural  Theory:  Thematic  Variations.
    Indeed,  the  book  also  aims  at  offering  a  multi-dimensional  and
    interactive  map  which  allows  for  non-linear  excursions  through
    the  book.


    //.  Non-linear  route
    The book  invites the reader  -  with the aid of cross-references  high-
    lighted  in  its  footnotes  -  to  peruse  the  text  in  a  non-sequential
    mode.  In  the  synopsis  of  the  book's  principal  arguments  offered
    below,  some  possible  interconnections  are  suggested.  (The capita-

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