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NAMING THE PROBLEM 55

            the conspiracy of language. She writes about the ‘hidden agendas concealed in
            the  texture  of  language’,  going  on  to  argue  that  ‘deception  is  embedded  in  the
            very  texture  of  the  words  we  use,  and  here  is  where  our  exorcism  can  begin’
            (1978/1984:3).  Daly  uses  various  strategies  in  her  campaign  to  combat  the
            conspiracy of patriarchal language. One method is to revalorize the very terms
            which  have  been  used  against  women.  Daly  takes  the  figure  of  witches,  for
            example, and turns the negative associations of the word into a positive model
            for  feminist  activity.  Daly  aims  to  rewrite  the  ‘deception  plotted  by  the  male-
            supremacist  scriptwriters’  by  (re)  creating  a  new  mythology—a  new  plot—for
            ‘Lesbians/Spinsters/Amazons/Survivors’ (1978/1984:20). Unlike the playfulness
            of WITCH, however, Daly always takes her reappropriation of the term seriously.
              A second tactic is the creation of woman-centred counterparts for male terms
            and characteristics. In place of men’s ‘own paranoid fears’ (1978/1984:29), for
            example,  Daly  offers  the  notion  of  ‘pronoia’,  or  positive  paranoia,  which  she
            defines as ‘seeing/making new patterns of perception as preparation for the latter/
            deeper  stages  of  Journeying’  (1978/1984:401).  ‘Pronoia’  is  just  one  of  the
            countless new coinings Daly employs in Gyn/Ecology. Her prose is shot through
            with a series of neologisms, which aim to bring about in miniature a disassembly
            and recombination  of  the  patriarchal  conspiracy.  As  Meaghan  Morris  (1988)
            argues,  Daly’s  emphasis  on  the  individual  sign  forecloses  discussion  on  the
            effects of discourse as a whole. In addition to new words, Daly also concentrates
            on the etymology of key terms. Her analysis, however, is often directed less to the
            deep cultural histories embedded in certain words than to the surface appearance
            and literal inclusion of particular syllables. ‘Manipulation’, for example, reveals
            within itself the word ‘man’. Daly’s emphasis on particular signifiers results in a
            shift  towards  a  ‘literal-minded’  view  of  language  in  the  1970s,  in  which
            individual words can come to cause social effects.
              This concern with the material and the literal effects of representation has been
            fundamental  to  the  campaigns  against  rape  and  pornography  which  began  to
            dominate feminist activism from the late 1970s. The literature on these topics is
            too large for me to analyse in detail here, but I want to outline a few important
            issues which arise from these interlocking campaigns. The first is that the logic
            of  conspiracy  became  indispensable  to  the  analysis  of  rape,  in  books  such  as
            Susan  Brownmiller’s  Against  Our  Will.  Brownmiller  defined  rape  as  the
            ‘conscious process of intimidation by which all men keep all women in a state of
            fear’, establishing a Manichean division of society into men who are all guilty
            and  women  who  are  all  victims  (1975:14–15).  In  an  analogous  fashion  to  the
            way  belief  in  a  lone  gunman  in  the  Kennedy  assassination  was  superseded  by
            analyses of systematic conspiracy in American society, feminist analyses of rape
            began  to  describe  it  as  the  ‘all-American  crime’,  and  as  the  principal  fact  of
            patriarchy which ensures ‘the perpetuation of male domination over women by
            force’  (Griffin,  1970:3–22;  Brownmiller,  1975:209).  In  addition,  the  cold  war
            paranoid figuration of bodily invasion, infiltration and contamination returned as
            literal descriptions, as the female body became not a displaced metaphor for the
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