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                 94   Chapter 5 Psychoanalysis

                      most obvious example), the dream will attempt to accommodate this in order not to
                      disturb the dreamer’s sleep. However, outside and inside stimulus of this sort is always
                      transformed. As he explains, ‘Dreams do not simply reproduce the stimulus; they work
                      it over, they make allusions to it, they include it in some context, they replace it by
                      something else’ (125). An alarm clock, for example, may appear as the sound of church
                      bells on a sunny Sunday morning or as the sound of the fire brigade rushing to the
                      scene of a devastating fire. Therefore, although we can recognize how outside stimula-
                      tion may contribute something to a dream, it does not explain why or how this some-
                      thing is worked over. Similarly, dreams are also informed by recent experiences, ‘the
                      day’s residues’ (264). These may often determine much of the content of a dream, but,
                      as Freud insists, this, as with noise and somatic disturbances, is merely the material out
                      of which the dream is formulated and is not the same as the unconscious wish. As he
                      explains, the ‘unconscious impulse is the true creator of the dream; it is what produces
                      the psychical energy for the dream’s construction’ (1973b: 47).
                         Dreams,  according  to  Freud,  are  always  a  ‘compromise-structure’  (48).  That  is,  a
                      compromise between wishes emanating from the id and censorship enacted by the
                      ego:  ‘If  the  meaning  of  our  dreams  usually  remains  obscure  to  us . . . it  is  because
                      [they contain] wishes of which we are ashamed; these we must conceal from ourselves,
                      and they have consequently been repressed, pushed into the unconscious. Repressed
                      wishes of this sort and their derivatives are only allowed to come to expression in a very
                      distorted form’ (1985: 136). Censorship occurs but wishes are expressed; that is, they
                      are coded in an attempt to elude censorship. According to Freud’s (1976) famous for-
                      mulation, ‘a dream is a (disguised) fulfilment of a (suppressed or repressed) wish’ (244).
                         Dreams move between two levels: the latent dream thoughts (unconscious) and the
                      manifest content (what the dreamer remembers dreaming). Dream analysis attempts
                      to decode the manifest content in order to discover the ‘real meaning’ of the dream. To
                      do this it has to decipher the different mechanisms that have translated latent dream
                      thoughts into manifest content. He calls these mechanisms the ‘dream-work’ (2009:
                      246). The dream-work consists of four processes: condensation, displacement, sym-
                      bolization,  and  secondary  revision.  Each  in  turn  produces  ‘the  transformation  of
                      thoughts into hallucinatory experience’ (1973a: 250).
                         The manifest content is always smaller than the latent content. This is the result of
                      condensation, which can work in three different ways: (i) latent elements are omitted;
                      (ii) only part of a latent element arrives in the manifest content, and (iii) latent ele-
                      ments which have something in common are condensed into ‘composite structures’
                      (2009: 247). ‘As a result of condensation, one element in the manifest dream may cor-
                      respond to numerous elements in the latent dream-thoughts; but, conversely too, one
                      element in the dream-thoughts may be represented by several images in [the manifest
                      content of] the dream’ (1973b: 49). Freud provides the following example:

                          You will have no difficulty in recalling instances from your own dreams of differ-
                          ent people being condensed into a single one. A compromise figure of this kind
                          may look like A perhaps, but may be dressed like B, may do something that we
                          remember C doing, and at the same time we may know that he is D (2009: ibid.).
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