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                                                                                   Further reading  89

                        three essays informed by hegemony theory. The book also contains similar sections
                        on culturalism and structuralism.
                      Hebdige, Dick, Subculture: The Meaning of Style, London: Methuen, 1979. The seminal
                        account of youth subcultures: an excellent introduction to hegemony theory and
                        popular culture.
                      Laing,  Dave,  The  Marxist  Theory  of  Art:  An  Introductory  Survey,Hemel  Hempstead:
                        Harvester  Wheatsheaf,  1978.  A  very  readable  introduction  to  Marxist  theories  of
                        culture. Contains an interesting section on popular culture.
                      Marx, Karl and Frederick Engels, On Literature and Art, St Louis: Telos, 1973. A useful
                        selection of the writings by Marx and Engels on matters cultural.
                      Nelson, Cary and Lawrence Grossberg (eds), Marxism and the Interpretation of Culture,
                        London: Macmillan, 1988. An interesting collection of recent essays on Marxism
                        and culture.
                      Showstack Sassoon, Anne, (ed.), Approaches to Gramsci, London: Writers and Readers,
                        1982. A collection of essays on Gramsci. Contains a useful glossary of key terms.
                      Sim, Stuart (ed.), Post-Marxism: A Reader, Edinburgh: Edinburgh University Press, 1998.
                        Interesting collection of essays on the question of post-Marxism.
                      Simon, Roger, Gramsci’s Political Thought: An Introduction, London: Lawrence & Wishart,
                        1982. A very readable introduction to Gramsci.
                      Slater, Phil, Origin and Significance of the Frankfurt School: A Marxist Perspective, London:
                        Routledge & Kegan Paul, 1977. The book provides a critical overview of the work of
                        the Frankfurt School. Chapter 4, on the culture industry, is of particular interest to
                        the student of popular culture.
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