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                 88   Chapter 4 Marxisms

                          That judgment may make us feel right, decent and self-satisfied about our denun-
                          ciations of the agents of mass manipulation and deception – the capitalist cultural
                          industries:  but  I  don’t  know  that  it  is  a  view  which  can  survive  for  long  as  an
                          adequate account of cultural relationships; and even less as a socialist perspective
                          on the culture and nature of the working class. Ultimately, the notion of the people
                          as a purely passive, outline force is a deeply unsocialist perspective (512).

                         Post-Marxist cultural studies is informed by the proposition that people make popular
                      culture from the repertoire of commodities supplied by the culture industries. Making
                      popular culture (‘production in use’) can be empowering to subordinate and resistant
                      to dominant understandings of the world. But this is not to say that popular culture is
                      always empowering and resistant. To deny the passivity of consumption is not to deny
                      that sometimes consumption is passive; to deny that consumers are cultural dupes is
                      not to deny that the culture industries seek to manipulate. But it is to deny that popu-
                      lar  culture  is  little  more  than  a  degraded  landscape  of  commercial  and  ideological
                      manipulation, imposed from above in order to make profit and secure social control.
                      Post-Marxist cultural studies insists that to decide these matters requires vigilance and
                      attention to the details of the production, distribution and consumption of the com-
                      modities from which people may or may not make culture. These are not matters that
                      can be decided once and for all (outside the contingencies of history and politics) with
                      an elitist glance and a condescending sneer. Nor can they be read off from the moment
                      of production (locating meaning, pleasure, ideological effect, the probability of incor-
                      poration, the possibility of resistance, in, variously, the intention, the means of pro-
                      duction or the production itself): these are only aspects of the contexts for ‘production
                      in use’; and it is, ultimately, in ‘production in use’ that questions of meaning, pleasure,
                      ideological effect, incorporation or resistance, can be (contingently) decided.






                         Further reading

                      Storey, John (ed.), Cultural Theory and Popular Culture: A Reader, 4th edition, Harlow:
                         Pearson Education, 2009. This is the companion volume to this book. It contains
                         examples of most of the work discussed here. This book and the companion Reader
                         are supported by an interactive website (www.pearsoned.co.uk/storey). The website
                         has links to other useful sites and electronic resources.

                      Barrett, Michele, The Politics of Truth: From Marx to Foucault, Cambridge: Polity Press,
                         1991. An interesting introduction to ‘post-Marxism’.
                      Bennett,  Tony,  Formalism  and  Marxism,  London:  Methuen,  1979.  Contains  helpful
                         chapters on Althusser and Macherey.
                      Bennett, Tony, Colin Mercer and Janet Woollacott (eds), Culture, Ideology and Social
                         Process, London: Batsford, 1981. Section 4 consists of extracts from Gramsci and
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