Page 82 - Cultural Theory and Popular Culture an Introduction
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                 66   Chapter 4 Marxisms

                      Table 4.1 Depriving ‘authentic’ culture of its critical function.

                      The Use of Opera and Classical Music in Advertisements
                      Bach: Suite No. 3 in D – Hamlet Cigars  Offenbach: Tales of Hoffmann – Bailey’s Irish
                      Bach: Sleepers Awake! – Lloyds Bank    Cream
                      Bach: Harpsichord Concerto in F minor –   Offenbach: Orpheus in the Underworld – Bio
                         NASDAQ                              Speed Weed
                      Beethoven: Symphony No. 6 in F – Blueband   Orff: Carmina Burana – Old Spice/Carling Black
                         Margarine                           Label/Fiat Marea
                      Beethoven: Für Elise – Heinz Spaghetti/Uncle   Pachelbel: Canon in D – Thresher Wines
                         Ben’s rice                        Prokofiev: Peter and the Wolf – Vauxhall Astra
                      Bellini: Norma – Ford Mondeo         Prokofiev: Romeo and Juliet – Chanel L’Egoiste
                      Boccherini: Minuet – Save and Prosper   Puccini: Madama Butterfly – Twinings tea/
                         Building Society                    Del Monte orange juice
                      Britten: Simple Symphony Opus 4 – Royal Bank   Puccini: Gianni Schicchi – Phillips DCC
                         of Scotland                       Puccini: La Bohème – Sony Walkman
                      Debussy: Suite bergamasque – Boursin Cheese  Puccini: Tosca – FreeServe
                      Delibes: Lakmé – British Airways/Basmati Rice/  Ravel: Boléro – Ryvita
                         Ryvita/IBM Computers/Kleenex tissues  Rimsky-Korsakov: Tsar Saltan – Black and
                      Delibes: Coppelia – Jus-Rol            Decker
                      Dukas: The Sorcerer’s Apprentice – Fiesta   Rossini: The Barber of Seville – Ragu Pasta
                         Towels/Sun Liquid/Royal Bank of Scotland/  Sauce/Fiat Strada/Braun cordless shavers
                         Philips/DCC                       Saint-Saëns: Carnival of the Animals – Tesco
                      Dvocák: New World Symphony – Hovis Bread  Satie: Gymnopédie No. 3 – Bourneville
                      Fauré: Requiem Opus 48 – Lurpak Butter  Chocolate/Strepsils lozenges
                      Gluck: Orfeo ed Euridice – Comfort Fabric   Schumann: Scenes from Childhood –
                         Softener                            Chocolate Break
                      Grieg: Peer Gynt – Nescafe/AEG/Alton Towers  Smetana: Má Vlast – Peugeot 605
                      Handel: Serse – Rover                J Strauss: Morning Papers Waltz – TSB
                      Handel: Solomon – Woolworths         Tchaikovsky: The Nutcracker Suite – Reactolite
                      Holst: The Planet Suite – Dulux Weathershield  sunglasses/Cadbury’s Fruit and
                      Khachaturian: Spartacus – Nescafe      Nut/Hellmann’s Mayonnaise
                      Mascagni: Cavalleria rusticana – Kleenex   Verdi: Aida – Diet Pepsi/Michelob/Egypt
                         tissues/Stella Artois/Baci Chocolates  Verdi: Il Trovatore – Ragu Pasta Sauce
                      Mozart: Piano Concerto No. 21 – Aer Lingus  Verdi: La Forza del Destino – Stella Artois
                      Mozart: The Marriage of Figaro – Citroën ZX  Verdi: Nabucco – British Airways
                      Mozart: Cosí fan tutte – Mercedes Benz  Verdi: Rigoletto – Ragu Pasta Sauce/Little
                      Mozart: Horn Concerto No. 4 – Vauxhall Carlton  Caesar’s Pizza
                      Mussorgsky: Night on a Bare Mountain –   Vivaldi: The Four Seasons – Chanel 19
                         Maxell Tapes                        perfume/Kingsmill Bread/Citroën BX/Braun





                      can be interchanged with details from another. Unlike the organic structure of ‘serious
                      music’,  where  each  detail  expresses  the  whole,  popular  music  is  mechanical  in  the
                      sense that a given detail can be shifted from one song to another without any real effect
                      on the structure as a whole. In order to conceal standardization, the music industry
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