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MEDIA STUDIES 115

            made between ‘denotation’  and ‘connotation’.  At  this level  of the message,
            however,  the analytic distinction  is important. Distinguishing two levels of
            analysis, or two levels of operation in the functioning of codes, does not require
            us to find these  distinctions empirically observable in any concrete instance,
            since  each instance will always  be  the  product of  the ‘over-determination’ of
            both levels of operation. Nevertheless, ‘we believe that the method requires an
            operational distinction between two levels of organization of the sign’. From this
            point of view, a distinction can be made between those aspects of a sign where
            the meaning, produced  through  the operation  of a code, has been  fixed in
            conventional usage and is widely and apparently ‘naturally’ employed within a
            language  community, and more fluid  and open-ended significations which,
            through the operation of alternative codes, can be more fully exploited for their
            ideological signifying value. In this sense ‘denotation’ is nothing more than a
            useful rule for distinguishing, in any particular  instance or operation, those
            connotations which have  become  naturalized  and those which,  not being so
            fixed, provide the opportunity for more extensive ideological re-presentations.
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              Barthes himself, in  S/Z,  expands his  concept of denotation from the
            definitions he offered in Elements of Semiology, and usefully clarifies it:
              Denotation is not the first sense, but it pretends to be [our italics]. Under this
              illusion, in  the  end, it  is nothing but  the last of connotation (where the
              reading is  at the  same  time grounded and enclosed), the superior  myth,
              thanks to which the text pretends to return to the nature of language…. We
              must keep denotation, old  vigilant deity, crafty, theatrical, appointed to
              represent the collective innocence of language.

            Semiologists contest the hierarchy of denotation and connotation, saying that any
            language, with its dictionary and syntax, is a system just like all others and that
            therefore there is no reason for reserving denotation as a privileged first level,
            neutral in itself, which originates all the others. Barthes, however, justifies his
            adoption of the distinction in an argument based primarily on Hjelmslev, a fact
            which demonstrates  his  loyalty to  linguistics, at least as far  as the  Elements
            period was concerned.
              The destruction by semiologists of the connotation/denotation distinction in its
            traditional linguistic sense is made through the identification of denotation with
            connotation and the fact that ideological meanings are present in both processes.
            Baudrillard, in  Critique  of the Political  Economy  of the Sign,  also does this;
            though he distinguishes the different degree of ideological interference in each
            instance, he refuses the general distinction as it is usually used: ‘Denotation is
            totally supported by the myth of ‘objectivity’ (whether concerning the linguistic
            sign, the analogous photographic or iconic sign, etc.), the direct adequacy of a
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            signifier and a precise reality.’  And further on:
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