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CULTURE, SOCIETY AND THE MEDIA 235
            communication as a process in which informational and persuasive messages are
            transmitted from the political institutions of society through the mass media to
            the citizenry to whom they are ultimately accountable. They can thus postulate a
            certain measure of autonomy for the different institutional domains of society,
            allowing questions to be raised, then, about the influence of materials processed
            in the media domain on the political and other sectors. They can happily look for
            the impact  of media  materials on individual audience  members,  sampled  in
            surveys or recruited  for participation in  experiments. They can  regard  the
            phenomenon of media  power as turning very much  on  the  influence  of
            communication on the outlook of such individuals. Above all, they can treat the
            issue  of  media  effects—their direction, strength and precise incidence—as
            essentially constituting an empirical question, one, that is, that is not bound to be
            settled in a certain way in advance.
              To  many  Marxists, however, the  conduct  of effects research  may seem a
            dubious or  unnecessary enterprise. In  their eyes, election  campaign rivalry is
            merely a sort of sound and fury whipped up by Tweedledum and Tweedledee.
            They are unhappy about the ‘methodological individualism’ of effects research,
            believing that history is shaped by confrontations and shifting power relations
            between opposed social classes. They are little interested in many of the fine-
            grained informational and attitudinal media effects reported in the literature that
            seem  to them to ignore the  predominantly  ideological role  of  mass
            communication in  society.  Thus, for Marxists the  political communication
            process is conceived largely in terms of the dissemination and reproduction of
            hegemonic definitions of social relations, serving to maintain the interests and
            position of  dominant classes—a conceptualization which does not easily lend
            itself to translation into the form of effects design that was sketched out in a
            previous page.  It  also follows that for  Marxists the ultimate source of media
            power is to be located, not at the content/audience interface, but in how media
            organizations are owned and  controlled. Finally, although  most Marxists do
            assume that the mass media exert a significant influence on the political thinking
            of audience members, for them the issue of its direction is a less open question,
            requiring empirical probing and determination, than it is for pluralists. They are
            more likely to take it for granted that mass media materials are typically designed
            to support the prevailing status quo.
              Historico-cultural differences between the United States, on the one hand, and
            many Western European countries, on the other, may also help to explain the
            much  greater involvement  in  effects research  of media academics  in North
            America (see Blumler, 1980).  In many European societies,  fundamentally
            opposed  ideological options have  not only  been canvassed in the writings of
            intellectuals, but  have also been  organizationally translated into  partisan
            cleavages, involving radical challenges to prevailing distributions of wealth and
            power, as in the case of Socialist and Communist movements. Yet, since the end
            of World War II, the reality of socio-political advance towards greater equality in
            many of these countries  has appeared slight and negligible, leaving almost
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