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38 THEORIES OF THE MEDIA AND SOCIETY

                     THE FRANKFURT SCHOOL AND THE CRITIQUE OF
                               THE ‘CULTURE INDUSTRY’


            Although predominantly a conservative tradition, the mass society outlook has
            also influenced  the development of Marxist  theories of the media.  Nor is this
            surprising. Marx and Engels wrote suggestively on questions of the media and
            ideology, but they did not offer an elaborated body of theory with which to deal
            with such questions. Given this absence, early attempts to construct a Marxist
            critique of the media  were  virtually  obliged  to submit to the ‘field of force’
            exerted  by  the  mass society  outlook.  In doing so, however, they inflected  its
            criticisms leftward, reworking them by putting them to use within the context of
            a critique of the media’s impact in impeding the formation of a socialist political
            consciousness amongst members  of  the  working class.  The critique of the
            ‘culture industry’ constructed by the Frankfurt School was undoubtedly the most
            interesting of the attempts to fuse Marxist and mass society categories in this
            way.
              The label of ‘the Frankfurt School’ is usually applied to the collective thought
            of those theorists—most notably, Theodor Adorno, Herbert Marcuse and Max
            Horkheimer—associated with the Institute for Social Research founded  in
            Frankfurt in  1923.  Recruiting largely  from  the cream  of the young radical
            intellectuals of Weimar  Germany, some  of  them disillusioned ex-Communist
            Party members, the Institute  set  itself the task  of  keeping the critical light  of
            Marxism burning during the ‘dark years’ which its members saw ahead. Owing
            to  this radical orientation,  and  to  the predominantly Jewish background of  its
            members, the accession of Hitler to the German chancellorship in 1933 forced
            the removal of the Institute to New York where, until 1942, it was affiliated to
            the Sociology Department of the University of Columbia.  In 1949, Max
            Horkheimer,  who had succeeded  Carl Grunberg as director of the Institute  in
            1930, led the Institute back to Frankfurt—although Marcuse chose to remain in
            California. Horkheimer was succeeded as head of the Institute by Adorno who
            remained in that position until his death in 1968.
              Applying  the brush with broad strokes, the  intellectual perspectives of  the
            Frankfurt theorists were shaped by three major historical experiences. First, they
            shared a sense of monumental disappointment that the revolution of 1917 had
            not spread to western Europe. They were dismayed  by the downturn in the
            revolutionary tide which resulted from this  failure and by the fatal  direction
            which, in their view, the dominance of Stalinism subsequently gave to working-
            class politics. Second, a deep and lasting impression was made on them by the
            experience of fascism which continued to haunt their works until well into the
            post-war epoch. Finally, they were deeply concerned by the apparent political
            stability which had been achieved in the post-war western world and attempted
            to describe and account for the ideological transformations by which this stability
            had been produced.
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