Page 49 - Culture Society and the Media
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CULTURE, SOCIETY AND THE MEDIA 39
              This, then,  was  the perspective which  informed  the Frankfurt theorists’
            historical vision. The dialectic of history, the mutually interactive relationship
            between the subject (human agents) and the object (the social conditions of their
            existence) appeared to have been fractured, the result being a complete social
            stasis in conditions which, so far as Adorno was concerned, were little short of
            hell. How had this come about? The Frankfurt theorists sought the answer to this
            question on the subject rather than the object side of the equation. If the prospect
            of radical  social change no longer seemed imminent,  they argued, this was
            substantially  because the consciousness of a need for such change had been
            eliminated, yielding an ideological climate in which the prospect of a horizon
            beyond the limits constituted by the present had been virtually lobotomized.
              To do even rough justice to the Frankfurt analysis of the mechanisms whereby
            oppositional social and intellectual forces were said to have been thus contained
            and brought to heel would be a lengthy undertaking (Jay, 1973, and Slater, 1977,
            offer useful general surveys). We can only deal here with those aspects of the
            analysis which bear most closely on the media.
              One of the more challenging thrusts of  Marcuse’s  One Dimensional Man
            (1968) is the contention that the apparent rationality of production in advanced
            capitalism renders the social system as such immune to criticism. The system is
            ‘sold’ by its success, by its ability to produce the goods:

              The productive apparatus  and the goods and services which it produces
              ‘sell’ or impose  the social system as  a whole. The  means of mass
              transportation and communication, the commodities of lodging, food, and
              clothing, the  irresistible  output of the entertainment and information
              industry  carry with them  prescribed attitudes and habits, certain
              intellectual and emotional reactions which bind the consumers more or less
              pleasantly to the  producers and, through the latter, to the whole. The
              products indoctrinate and manipulate; they promote a false consciousness
              which is immune  against its falsehood…. Thus  emerges  a  pattern of
              onedimensional  thought and behaviour  in which  ideas, aspirations, and
              objectives that, by their content,  transcend the established universe of
              discourse and action are either repelled or reduced to the terms of this
              universe. (Marcuse, 1968, pp. 26–7)

            This tendency of the system of production to inoculate itself against subversion,
            Marcuse argued,  has been reinforced by the tendency for the terms  in  which
            political issues are publicly discussed to be limited to the question of determining
            which techniques (for example, the debate between Keynesian and monetarist
            forms of economic policy) are best capable of managing the system as it is and
            of containing  its contradictions. For  the possibility of scheduling alternative
            political ends which qualitatively transcend or are at odds with existing social
            arrangements is automatically excluded from the terms of reference established
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