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Nicole Anderson and Nathaniel Stern        139
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                             representable;  it  is  instead  a  recognition  that  what  is  present  in  writing  is
                             there in its absence. As deconstruction shows us, the designation of identities
                             or the representation of things as things (for example, bodies as objects of
                             knowledge)  can  only  be  accomplished  by  “forgetting”  that  every
                             representation  is  haunted  by  what  Derrida  calls  the  “impossible”  -  “that
                             which  exceeds  and  at  the  same  time  is  at  the  heart  of  representational
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                             logic.”   “By  inscribing  significations,  we  exscribe  the  presence  of  what
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                             withdraws from all significations, being itself (life, passion, matter …).
                                     We  could  say  then,  paraphrasing  Nancy,  that  bodies  are  not  un-
                             representable; they are rather presented as “exscribed.” As such, bodies “take
                             place neither in discourse nor in matter … they take place at the limit, as the
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                             limit.”
                                     In  touching  and  being  touched  (in  interacting)  we  encounter  the
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                             limit, or what Baross describes as the “in-between par excellence.”  Since
                             “to touch” is always “shared in-between,” “touch is always already reciprocal
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                             …”  “If we accept the claims made by Derrida and Baross that the ‘self’
                             comes into being only in and through the sensuous relation with the other, in
                             and through exposure to the limit, to that which is not self (but is nevertheless
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                             internal to it), then we can see how touch,”  and by extension the body, is
                             not simply an object of the self’s perceiving consciousness (or an expression
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                             of its affective interiority), but is also a body in and through exscription.
                                     This figuration of touch moves us outside of the humanism of the
                             tradition (of, for example, Merleau-Ponty where touch always privileges the
                             human hand and in fact is central to the definition of humanness), and allows
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                             us to explore the non-human aspect of touch.  What sets Nancy’s thinking
                             apart  in  this  regard  “is  the  way  it  locates  the  technical  supplement,  the
                             expropriation of the proper by the prosthetic, right at the phenomenological
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                             threshold of the lived or proper body.”  “[I]t is the thinking of a technè of
                             bodies as thinking of the prosthetic supplement [not addition] that will mark
                             the greatest difference, it seems to me, between Nancy’s discourse and other
                             more or less contemporary discourses about the “body proper” or ‘flesh’. 149
                             At  the  heart  of  touching  is  the  intrusion  of  technics  -  the  syncope   150
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                             introduced  by  “body  ecotechnics.”   (This  is  a  world  of  bodies  “neither
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                             transcendental nor immanent.”)
                                     In order for something to appear as a determinate something “there
                             must exist a limit or border by which both the identity and difference of the
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                             thing  are  constituted.”   Coming  into  touch  with  something  -  coming  into
                             contact with the limit that enables something to take place - produces a body.
                             A  body  that  is  multiple  in  its  circulation  of  touches  and  separations  as  it
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                             divides and relates to itself and others multiply.
                                     Being  bodily  (being  bodily  as  implicit  rather  than  explicit)
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                             implicates  an  exteriority  “in  ‘me’”   but  “everything  is  outside  another
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                             outside.”  Derrida elaborates: “the being outside an other outside forms the
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