Page 153 - Cyberculture and New Media

144 The Implicit Body
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48
D Rokeby, ‘Very Nervous System,’ 1990
<http://homepage.mac.com/davidrokeby/home.html> (viewed July 12, 2005).
49
Ibid.
50
Stone, p. 112.
51
Morse, ‘Video Installation Art,’ p. 155.
52
Ibid, p. 153.
53
Feingold, p. 127.
54
P Carter, The Lie of the Land, Faber & Faber, London, 1996, p. 84 cited in
B Bolt, Art Beyond Representation: The Performative Power of the Image,
I.B. Tauris, London and New York, 2004, p. 142.
55
Bolt, p. 1.
56
Ibid, p. 10.
57
See, ibid, p. 61.
58
Ibid, p. 59.
59
Ibid, p. 71.
60
H Bergson, Matter and Memory, NM Paul and WS Palmer (trans), Dover
Philosophical Classics, 2004, p. 58 quoted in Ibid, p. 58.
61
Hansen, ‘Seeing with the Body,’ p. 79.
62
Ibid, p. 63.
63
Lenoir in Ibid, p. XXIII.
64
Hansen, New Philosophy for New Media, p. 229.
65
Ibid, p. 203.
66
Hansen’s use of Deleuze’s affection-image is discussed in more detail later
in this chapter.
67
Hansen, New Philosophy for New Media, p. 204.
68
MBN Hansen, ‘Embodying Virtual Reality: Touch and Self-Movement in
the Work of Char Davies,’ Critical Matrix: The Princeton Journal of Women,
Gender and Culture, Volume 12 Numbers 1-2, 2001
< http://www.immersence.com/publications/2001/2001-MHansen.html>
(viewed 11 January, 2005).
69
Ibid.
70
Ibid.
71
Hansen, ‘Seeing with the Body,’ p. 16.
72
Hansen, ‘Embodying Virtual Reality.’
73
Ibid.
74
Ibid.
75
Ibid.
76
D Petersson, ‘On the Aesthetics of Digitization,’ NMEDIAC, Volume 2
Number 1, Summer 2003
<http://www.ibiblio.org/nmediac/summer2003/digitization_files/index.html>
(viewed July 11, 2005).