Page 224 - Cyberculture and New Media

Tony Richards 215
______________________________________________________________

the game no matter how conservatively the nostalgia for film is evidenced,
enforced, inscribed or seemingly concretised. There can then, as a product of
this view, only be degrees of gamic rather than locatable or ontological
differences of ‘kind’ within the game. A film-game is from bottom a
contradiction.
51
Lionhead Studios., ‘Black & White’

Bibliography

Aarseth, A,. Cybertext: Perspectives on Ergodic Literature. The Johns
Hopkins University Press, Baltimore and London, 1997.

Althusser, L., ‘Ideology and Ideological State Apparatuses’, in Lenin and
Philosophy. New Left Books, London 1972.

Austin, J.L., How to do Things With Words. Harvard University Press,
Cambridge, Massachusetts, 1975.

Butler, J., Bodies That Matter. Routledge, New York, 1993.

Butler, J., Gender Trouble. Routledge, New York, 1990.

Caillois, R., Man, Play and Games. University of Illinois Press, Urbana and
Chicago, 2001.

Dayan, D., ‘The Tutor-Code of Classical Cinema’ in Movies and Methods
Volume One, Bill Nichols (ed), University of California Press, Berkeley and
Los Angeles, 1976, pp.438-450.

de Certeau, M., The Practice of Everyday Life, University of California Press,
Berkeley and Los Angeles, 1988.

Derrida, J., Margins of Philosophy. The University of Chicago Press,
Chicago, 1982.

Derrida, J., Limited Inc Northwestern University Press, Evanston, 1988.