Page 295 - Cyberculture and New Media
P. 295
286 Desistant Media
______________________________________________________________
Derrida, Jacques (2004): Dissemination. Continuum, London & New York.
Dietz, Steve (2005): “Animating the Network”, In Tromble (ed.) 2005.
Dinkla, Söke (1994): “The History of the Interface in Interactive Art”, in
Tarkka, Minna (ed.): ISEA’94 Catalogue. Helsinki: UIAH B 40.
Dinkla, Söke (1995): “From Participation to Interaction. Towards the Origins
of Interactive Art”, in Hershman Leeson, Lynn (ed.): Clicking In. Hot Links
to a Digital Culture. Seattle, Bay Press.
Dinkla, Söke (2002): “The Art of Narrative – Towards the Floating Work of
Art”, in Rieser, Martin & Andrea Zapp (eds.): New Screen Media.
Cinema/Art/Narrative. London, British Film Institute.
Dinkla, Söke (2004): “Virtual Narrations. From the crisis of storytelling to
new narration as a mental potentiality”, in Frieling, Rudolf & Dieter Daniels
(Hg./eds.): Media Art Net 1 Survey of Media Art. Wien/New York, Springer.
Dove, Toni (2002): “The Space Between: Telepresence, Re-animation and
the Re-casting of the Invisible”, in Rieser, Martin & Andrea Zapp (eds.): New
Screen Media. Cinema/Art/Narrative. London, British Film Institute.
Dreyfus, Hubert L.: “Intelligence Without Representation.” On-line at
<http://www.hfac.uh.edu/cogsci/dreyfus.html>.
Duve, Thierry de (2001): “Dan Graham and the Critique of Artistic
Autonomy”, in Brouwer, Marianne (ed.): Dan Graham. Works 1965-2000.
Düsseldorf, Richter Verlag.
Dällenbach, Lucien (1989): The Mirror in the Text. Chicago & Cambridge,
The University of Chicago Press & Polity Press.
Elsaesser, Thomas (1998): “Digital Cinema: Delivery, Event, Time”, in
Elsaesser, Thomas & Kay Hoffmann (eds.): Cinema Futures: Cain, Abel or
Cable?. Amsterdam, Amsterdam University Press.
Elsaesser, Thomas (2006): “Early Film History and Multi-Media: An
Archaeology of Possible Futures?” in Chun, Wendy Hui Kong & Thomas
Keenan (eds.): New Media Old Media. A History and Theory Reader. New
York & London, Routledge.
