Page 298 - Cyberculture and New Media

Seppo Kuivakari 289
______________________________________________________________

The Feminism and Visual Culture Reader. New York & London, Routledge
(originally 1985).

Haustein, Lydia (1999): Media Art or A Second Look at Reality”, in Frohne
ed.): Video cult/ures. Multimedialle Installationen der 90er Jahre. Köln,
DuMont & ZKM.

Hayles, Katherine N. (1996): “Embodied Virtuality: Or How to Put Bodies
Back into the Picture”, in Moser, Mary Anne (ed.): Immersed in Technology.
Art and Virtual Environments. Cambridge, The MIT Press.

Hayles, Katherine N. (2003): “Virtual Bodies and Flickering Signifiers” in
Jones (ed.) 2003 (originally 1993).

Hershman Leeson, Lynn (1990): “The Fantasy Beyond Control”, in Hall,
Doug & Sally Jo Fifer (eds.): Illuminating Video. An Essential Guide to
Video Art. New York, Aperture/Bay Are Video Coalition.

Hershman Leeson, Lynn (1995): “Reflections and Preliminary Notes”, in
Hershman, Lynn: Paranoid Mirror. Seattle, Seattle Art Museum.
Hershman Leeson, Lynn (2003): “Teknolust”, in Shaw & Weibel (eds.) 2003.

Hintsa, Merja (1998): Mahdottoman rajoilla. Derrida ja psykoanalyysi.
Helsinki, Tutkijaliitto.

Huhtamo, Erkki (1996): “Time Travelling in the Gallery: An Archaeological
Approach in Media Art”, in Moser, Mary Anne (ed.): Immersed in
Technology. Art and Virtual Environments. Cambridge, The MIT Press.

Huhtamo, Erkki (2003): “Media Art in the Third Dimension: Stereoscopic
Imaging and Contemporary Art”, in Shaw & Weibel (eds.) 2003.

Huhtamo, Erkki (2007): “Twin-Touch-Test-Redux: Media Archaeological
Approach to Art, Interactivity and Tactility”, in Grau (eds.) 2007.

Ikonen, Teemu (2000): Imitaation rajoilla. Täydentävä kirjoitus
Denis Diderot’n tuotannossa. Helsinki, Helsingin yliopisto.

James, David E. (2005): “Lynn Hershman: The Subject of Autobiography”,
in Tromble, Meredith (ed.): The Art and Films of Lynn Hershman Leeson.
Berkeley & Los Angeles & London, University of California Press.