Page 302 - Cyberculture and New Media

Seppo Kuivakari 293
______________________________________________________________

Melchior-Bonnet, Sabine (2004): Kuvastin. Peilin historiaa. Jyväskylä,
Atena.

Metz, Christian (1983): Psychoanalysis and Cinema. The Imaginary
Signifier. London, Macmillan 1983.

Mitchell, W.J.T. (2005): What Do PicturesWant? The Lives and Loves of
Images. Chicago & London, The University of Chicago Press.

Monaco, James (1981): How to Read a Film. The Art, Technology,
Language, History, and Theory of Film and Media. Revised Edition. New
York & Oxford, Oxford University Press.

Morse; Margaret (1990): “Video Installation Art: The Body, The Image and
the Space-in-Between”, in Hall &Fifer (eds,) 1990.

Morse, Margaret (1994): “Enthralling Spaces. The Aesthetics of Virtual
Environment”, in Tarkka (ed.) 1994.

Morse, Margaret (1996): “Nature Morte”, in Moser (ed.) 1996.

Morse, Margaret (2000): “Gort! Klaatu Barada Nikto On Alien Intelligence”,
in Huhtamo, Erkki (ed.):2000: Alien Intelligence. Helsinki, Museum of
Contemporary Art Publication 63/2000.

Nicholls, Bill (2003): “The Work of Culture in the Age of Cybernetic
Systems”, in Wardrip-Fruin & Montfort (eds.) 2003.

O’Dell, Kathy (1990). Performance, Video and Trouble in the Home. In:
Hall, Doug & Fifer, Sally Jo (eds.), Illuminating Video. An Essential Guide to
Video Art. New York, Aperture/Bay Area Video Coalition.

Oswalds, Laura R (1994): “Cinema-Graphia: Eisenstein, Derrida, and the
Sign of Cinema” in Brunette, Peter and David Wills (eds.): Deconstruction
and the Visual Arts. Art, Media, Architecture. Cambridge, Cambridge
University Press.

Paul, Christiane (2003): Digital Art. London & New York, Thames and
Hudson.