Page 304 - Cyberculture and New Media
P. 304
Seppo Kuivakari 295
______________________________________________________________
Ross, Christine (2003): “To Touch the Other: A Story of Corpo-Electronic
Surfaces” in Jones (ed.) 2003 (originally 1996).
Ross, Christine (2005): “New Media Arts Hybridity: The Vases
(Dis)communicants Between Art, Affective Science and AR Technology”, in
Convergence 4/2005.
th
Rush, Michael (2001): New Media in Late 20 -Century Art. London & New
York, Thames and Hudson.
Rötzer, Florian (1995): “The Viewer is a Voyeur”, in Hershman 1995.
Schwarz, Hans-Peter (1997). Media-Art-History: Media Museum. München,
Prestel-Verlag & Karlsruhe, ZKM Center for Art and Media.
Sederholm, Helena (1996): Vallankumouksia norsunluutornissa.
Modernismin synnystä avantgarden kuolemaan. Jyväskylä, Jyväskylän
yliopiston ylioppilaskunta, Jyy julkaisuja 37,
Sederholm, Helena (2000): Tämäkö taidetta? Porvoo, WSOY.
Shaw, Jeffrey & Peter Weibel (eds.) (2003): Future Cinema. The Cinematic
Imaginary after Film. Cambridge, MA, The MIT Press & Karlsruhe, ZKM
Center for Art and Media.
Sihvonen, Jukka (1991): Exceeding the Limits. On the Poetics and Politics of
Audiovisuality. Turku, SETS.
Silverman, Kaja (1996): The Threshold of the Visible World. London and
New York, Routledge.
Silverman, Kaja (1999): “Prolegomena to “World Spectators”“, in Frohne
(ed.): Video cult/ures. Multimedialle Installationen der 90er Jahre. Köln,
DuMont & ZKM.
Slater, Don (1995): “Photography and Modern Vision. The Spectacle of
‘Natural Magic’”, in Jencks, Chris (ed.): Visual Culture. London & New
York, Routledge.
Sparks, Simon (1997): “Introduction: Politica ficta”, in Lacoue-Labarthe &
Nancy 1997.