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           Shah: Speaking about the South Asian market, and I’m going to put you
               on the spot here. Indian, and South Asian, influence is all over the
               map now. In wellness, retail, even clothing. But we don’t see, other
               than individual characters appearing on shows, South Asian families
               on television. Can you address why this is so? Do you think there is
               a chance an Indian family will be on television soon?
           Liguori: Frankly, I don’t think the answer I am going to give you will be
               popular. I don’t think it’s going to be too far in the future before we
               see a South Asian family, an Indian family, portrayed on television.
               Let’s start with why there isn’t greater representation. It’s just simply
               a numbers game. Right now, there are 2 million South Asians in
               this country. And it’s very, very difficult when your job is on the
               line, day in and day out, to say that I’m going to put someone in a
               show that frankly doesn’t have an audience outside the walls of our
               offices.

        Liguori’s racialized assumption that only South Asian audiences would be
        interested in a television program featuring a South Asian family hardly
        merits attention. But it does signal how niche marketing/programming
        strategies that have become so well-entrenched in the American media
        system over the past two decades intersect with the “discovery” and con-
        figuration of ethnic identities as viable marketing segments. The phrase—
        “It’s just a numbers game”—and the specific number that Liguori men-
        tioned—2 million South Asians—point to the fact that MTV-Desi and
        other South Asian media initiatives were working in a context in which
        advertising and marketing professionals had succeeded in constructing
        Asian Americans as a consumer demographic that remained untapped and
        moreover, had unique needs that were unfulfilled by mainstream media
        and marketing.
           While the intersections of South Asian cultural production and Ameri-
        can public culture can be traced through the work of artists like DJ Rekha
        and subcultures in cities like New York, Chicago, and Los Angeles, media
        companies’ interest in this hitherto marginalized community was sparked
        in part by the results of the 2000 U.S. census, which revealed that Asian
        Americans were the fastest growing ethnic minority as well as the most
        affluent of all groups. In much the same way that advertisers and market-
        ers worked to commodify Latinos during the mid-to-late 1990s, companies
        such as Ethnik PR and Evershine Group took on the task of constructing a
                        25
        Desi demographic.  As one widely circulated arcle entitled “Chasing Desi
        Dollars” in Time Magazine proclaimed:
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