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                                DELIVERING THE MESSAGE
                      CHAPTER 8
                           See your message. Videotape yourself. Again, you won’t like yourself

                           on the screen at first. But when you get over that, ask yourself the fol-
                           lowing questions:
                               Am I gesturing appropriately?

                               Do I look credible?

                               Would I buy something (a message or a product) from this guy?

                          The success of a presentation depends upon its delivery. Talk show host
                      Oprah Winfrey radiates empathy and understanding. Rosabeth Moss Kanter, a
                      professor, radiates energy and the enthusiasm of having something important
                      to say. When the words match the voice and body, magic can occur. It is a mat-
                      ter  of  practice  and  commitment  to  giving  the  audience  something  it  can
                      remember.
                      REHEARSAL: PUTTING CONTENT TOGETHER
                      WITH VOICE AND BODY
                      No one likes to rehearse. Frankly, it is a pain. And with all the work you have put
                      into the presentation, you know the material, so there’s no need to worry. Right?
                          Wrong!
                          Rehearsal  is  important  to  the  success  of  the  presentation.  Delivery  is
                      where  the  content  meets  the  audience.  Essentially,  you  are  taking  a
                      two-dimensional presentation of words and pictures and moving it into three
                      dimensions by the addition of yourself. You are adding life to the presentation.
                      In this instance, you are the actor. And, to be blunt about it, actors rehearse.
                          Before you rehearse, take a good look at the room, starting from the rear.
                      If you stand at the back, you can judge for yourself how large or small you will
                      appear. Keep that in mind. If you plan to reveal something small, make certain
                      that everyone can see it, or else don’t show it.
                          Then go to the stage and take a moment to get familiar with it. Where will
                      you enter? Where will you exit? If you have visuals, where will they be? Then
                      go to the podium; how does it feel? Adjust the microphone to your height. That
                      way you can walk right up and speak. (If you have to adjust it in real time, do
                      it. Don’t try to talk without one.)
                          If time permits, run through your entire presentation, complete with visu-
                      als. Practice as much as you can. After your rehearsal, thank the stage crew, if
                      there is one. Your friendly demeanor can do a lot to improve the mood of the
                      crew. Treat the crew members respectfully and they will do wonders for you.
                      Then walk away. If you are happy, get a good night’s sleep. Read over your
                      speech in the morning and maybe practice in the mirror. Focus on the outcome
                      and relax. You are ready to stand and deliver.
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