Page 17 - Communication Cultural and Media Studies The Key Concepts
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ACCESSING

               Eco speculated: ‘We could discover that the community of the users
               has such freedom in decoding as to make the influencing power of the
               organisation much weaker than one could have thought. Or just the
               opposite’ (1972: 107). This research agenda proved remarkably stable.
               Its combination of textual (semiotic) and audience (sociological)
               analysis designed to assess the ideological power of media and the
               room for manoeuvre of audiences remains to this day at the core of
               academic media research.
                  Eco’s article was translated (by Paola Splendore) and published in
               the journal of Birmingham Centre for Contemporary Cultural Studies
               (CCS), Working Papers in Cultural Studies, in 1972. It was a source of
               influence for Stuart Hall’s ‘encoding/decoding’ thesis and for much
               subsequent work by media researchers at the CCCS, for instance,
               Charlotte Brunsdon and David Morley, Ian Connell and Lydia Curti,
               and thence made its way into the mainstream of media studies.

               ACCESSING


               The practice of including verbal quotations and film/tape interviews
               or statements (in news/current affairs coverage) which originate from
               people or groups not directly employed by the media organisation
               itself. Access is a serious matter in broadcasting organisations, because
               scarcity of airtime means that it has to be heavily rationed, which is
               why for such organisations it is a political issue. In post-broadcast
               media such as the Internet, access does not need to be rationed and
               therefore is not an issue.
                  Demands for broadcast access are based on a reflection theory of the
               media – that is, that the media ought to reflect the plurality of different
               groups, politics or lifestyles that can be identified outside the media in
               social life. Many groups argue that their access to television is blocked
               and that as a result they are unable to establish their point of viewin the
               public mind. The assumption often is that the blockage is caused by a
               more or less deliberate conspiracy by the media to exclude them.
                  Even when access is achieved, ‘minority groups’ are often
               disappointed with the coverage they receive. Commercial and
               industrial organisations with an extensive division of labour and an
               occupational ideology of professionalism won’t let you simply appear
               on television or radio and state your case or tell your story. Despite the
               media’s centrality to public life and to citizenship, there is no right of
               access. Whether you get on air depends on the professionals’
               assessment of your talent, newsworthiness or representative status,

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