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PROPAGANDA

               out of hand or to seek to ‘ban’ or control it, or to purge it from the
               media, would be to miss the point. For all communication has some
               sort of spin, especially communication addressed to a large,
               anonymous public from across demographic boundaries. The wise
               reader might prefer to see propaganda as a genre rather than as an
               infestation; it is better to knowit than to knock it. The generic
               characteristics of propaganda (compared to realism in both fact and
               fiction) include the following.
               . News and fiction draw attention into the text, seeking to resolve
                  conflicts diegetically, within the story. Propaganda directs attention
                  beyond the text, seeking to provoke conflict in the reader.
               . News and fiction are images of the past, in which the action is
                  completed. Propaganda aligns the reader with the future, towards
                  actions yet to occur. News and fiction continue existing meanings.
                  Propaganda seeks to change the future.
               . News and fiction position the reader as uncommitted, even passive
                  recipients or consumers. Propaganda calls the reader towards
                  participation.
               . News and realist fiction seek to convey the impression that they are
                  true, unauthored, real. Propaganda seeks to produce faithfulness in
                  a relationship between addresser and addressee.
               . News and fiction employ transparency and verisimilitude to
                  produce the effect that techniques used in the communication are
                  ‘not there’. Propaganda can experiment with a much broader
                  palette of rhetorical and visual techniques, and drawattention to its
                  own communicative status.
               . News is diegetic. Propaganda is dialogic.


               Propaganda can still be politically controversial, especially in its
               clandestine form. After the events of September 11, 2001, the US
               Defense Department set up an ‘office of strategic influence’, which
               planned to feed information, some of it false, to foreign news agencies,
               in an attempt to influence public opinion across the world (especially
               the Islamic world) in favour of the US-led ‘war on terrorism’. The
               plan caused outrage within and beyond the US when it was revealed in
               February 2002, and the ‘office of strategic influence’ was ‘restruc-
               tured’.

               Further reading: Hartley (1992a: 51–55)




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