Page 210 - Communication Cultural and Media Studies The Key Concepts
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REALISM

               be seen. In communication and cultural studies, and in the media, it is
               important to followthe development of debates, policies and coverage
               of race, but not to assume that race describes any essential properties or
               attributes.

               See also: Diaspora, Ethnic/ethnicity, Identity politics, Orientalism,
               Representation

               Further reading: Baker et al. (1996); Carrington (2001); Gilroy (1987, 1993); Gray
               (2000)

               READER/READERSHIP


               Readerships are the product of media industries: they are populations
               gathered without regard to otherwise powerful distinctions of
               territory, demographics and wealth and constituted as the readership
               of newspapers, which is then available to serve as a metonym for the
               nation or society as a whole. Readerships (which in this usage includes
               audiences) are the largest communities ever assembled, albeit virtually.
               This is why the term ‘reader’ or ‘readership’ has often been used to
               describe audiences for audio-visual as well as print-based media.
                  The public is, first and foremost, a reading public, and audiences
               engage in ‘reading’ – i.e. an active, literate encounter with semiotic
               materials – not only via traditional print literacy but also in relation to
               audio-visual media such as television and film. Readers and audiences
               are the ‘product’ of media in a more commodified sense, their
               aggregated purchasing power being sold to advertisers by media
               organisations.


               REALISM

               A mode of representation of the world, both material and
               psychological. Historically, it was understood to imply a sense of
               objectivity in the arts, sciences and in literature. However, realism may
               also be used in a wider sense, as for example when intellectual
               movements such as Marxism and feminism, and textual systems such as
               journalism, are cast as ‘realist’ endeavours (as opposed to as textual or
               metaphysical knowledge). Realism is therefore intimately bound up
               with modernism.
                  In media analysis, realism may be understood not as an aim but as a
               convention. It aims to naturalise the modes of production that are


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