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DIY CULTURE

               particular texts take up elements of different discourses and articulate
               them (that is, ‘knit them together’).
                  However, although discourses may be traced in texts, and although
               texts may be the means by which discursive knowledges are circulated,
               established or suppressed, discourses are not themselves textual.

               Further reading: for discourse analysis in linguistics see Coulthard and
               Montgomery (1981); for the concept of discourse in post-structuralism see Mills
               (1997) and Sturrock (1979), introduction and chapter on Foucault.

               DIVERSITY


               Recognition of difference in politics, culture and heritage. Early
               discussions of diversity in the media context concentrated on diversity
               of ownership of media corporations, in order to ensure plurality of
               published opinion. The idea, backed up by media ownership laws in
               many countries, was that multiple viewpoints were preferable to a
               limited selection. More recently the idea of diversity has been
               extended to entire cultures: the rise of multiculturalism, and post-
               colonial and diasporic theory has led to calls for diversity as a
               fundamental goal of human endeavour, as well as public policy.
                  The exact outcomes of media diversity policies can be difficult to
               identify. One area of activism in the name of diversity has been the
               attempt to disrupt existing hegemonic structures by enabling minority
               groups to be represented or to participate in the production of media
               content. For instance, diversity is a chief concern of studies that
               investigate industry practices in the casting of performers from
               culturally diverse backgrounds. Diversity is also often used as a
               justification for public service and community broadcasting. In both of
               these instances the goal is to address the lack of representation of
               particular groups in commercial media.
               See also: Diaspora, Ethnic/ethnicity, Hegemony, Public sphere,
               Regulation

               DIY CULTURE


               The form taken by youth activism and media citizenship in and after
               the 1990s. Associated with raves and free dance parties, culture
               jamming, eco-protests such as anti-road-building campaigns and DIY
               media such as Squall, a magazine produced by and for squatters



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