Page 95 - Communication Cultural and Media Studies The Key Concepts
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EDUTAINMENT

               sacrificed for the sake of ratings. But several truths were lost in that
               rhetoric.

               . First, education itself has always been communicative as well as
                  content-rich: the very term ‘education’ means ‘drawing out’ in
                  Latin, referring to the Socratic method of teaching by drawing
                  truth out through dialogue (not shovelling truth in via examinable
                  ‘facts’).
               . Second, throughout the mass-broadcasting era, entertainment has
                  had an educative function. Films, popular newspapers and
                  magazines mastered the technique of conveying information that
                  people weren’t previously interested in – often straightforwardly
                  educative information about the state of the world, wonders of
                  nature, the human condition, the costs and benefits of progress, etc.
                  They used appealing visual and verbal techniques, circulation-
                  boosting games and competitions, and attractive personalities, to
                  win viewers, readers and listeners, and to persuade them to attend
                  to things they didn’t like.
               . Third, education is itself a mass medium, and has been so at
                  primary level since the nineteenth century. With the advent of
                  lifelong learning, even tertiary education aspired not merely to mass
                  coverage of the population, but to universal coverage. It became
                  impossible not to use these techniques, even where they had been
                  resisted previously.
               . Fourth, once the challenge of universal education was accepted, the
                  ‘law’ of aberrant decoding kicked in. Educators could not safely
                  assume any shared code, or prior knowledge, among students. Like
                  the universal entertainment media, they delivered texts of high
                  redundancy (predictable information), with strong plot lines and
                  characterisation, using charismatic presenters, in order to gather the
                  diverse population within the fold, so as to teach them.


               Naturally, the media could do this best when they took a good
               educator and made them into good television. In the sphere of cultural
               criticism, it all began with John Berger’s Ways of Seeing (Berger, 1972),
               although Berger’s series was in part a ‘reply’ to Lord Kenneth Clark’s
               earlier and widely lauded series Civilisation. British TV has maintained
               an excellent record of edutainment: David Attenborough on all things
               living, Robert Hughes on art (an Australian living in the US, Hughes
               made several series for British TV), John Romer on archaeology,
               Howard Goodall’s Big Bang on music, Patrick Moore on astronomy,
               Delia Smith on cooking. Americans cover their own history well – the

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