Page 146 - Key Words in Religion Media and Culture
P. 146

Narrative  129

               The  process  by  which  the  communicative  impact  of  a  narrative  is
             amplified through different media and by different members of the audience.
             In Folk Devils and Moral Panics (1972), Stanley Cohen made famous use of
             amplification theory, suggesting in his study of youth subcultures (mods and
             rockers) in the late 1960s that social deviance could be amplified through
             a  downward  spiral  of  mediated  publicity.  My  argument  here  inverts  his
             observation, suggesting that it is also possible to have an upward spiral, not
             of deviance but rather amplification of heroic qualities. In this case, Rizal is
             made a purer figure and, as we shall see, believed by some to be worthy of
             devotion and even worship.


             Elaborations of narratives
             The narratives associated with Rizal’s life and death were not only iterated
             and amplified, they were elaborated. This happened in several different ways.
             First, there was what could be described as devotional elaboration. There is a
             sense in which Rizal was celebrated as both a secular and religious saint, with
             sites of devotion created in several spaces around the country. Successive
             governments have invested in preserving his memory as a “national hero,”
             with considerable care being devoted to his reburial on December 30, 1912.
             Rizal’s remains were transported by an artillery caisson drawn by six horses
             to the actual site of his martyrdom. Only a few steps away, the urn was then
             carefully placed at the base of where a monument, entitled Motto Stella, was
             built during the following year. More than forty designers from around the
             world had competed for their elaborate designs to be chosen. The winner
             was Richard Kissling, who had sculpted the Swiss people’s monument to
             their national hero and freedom fighter William Tell. The Rizal monument
             is still guarded by an honorary guard and remains a focal point in Rizal Park
             in Manila and especially at the annual Rizal Day celebrations.
               The monument has been the venue for many eulogies elaborating Rizal’s
             life and death. For instance, a local dignitary by the name of Camilos Osias
             gave an address in 1953 entitled, “Rizal, Martyr to Human Liberty,” wherein
             he asserted that:


               Rizal was a martyr in fact and in truth. In infancy, in youth, and in manhood
               he witnessed the martyrdom of his people and bitter anguish was brought
               home  to  his  family.  He  himself  was  the  victim.  He  was  ridiculed  and
               maligned. He was persecuted and exiled. He was imprisoned and tried on
               trumped up charges. He was tortured, sentenced to death, and done to
               death. His influence continues. His spirit is immortal. Rizal was not born
               to die… Rizal, the patriot, the hero, the martyr lives. He will never die.
                                                                (April 27, 1953)
   141   142   143   144   145   146   147   148   149   150   151