Page 77 - Key Words in Religion Media and Culture
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60  J. Kwabena Asamoah-Gyadu

             the experiences of the individual are meaningful in terms of shared religious
             experiences of the community. Thus, the community is an “important site for
             visual culture” (Morgan 2005: 54). Morgan’s basic argument is that religious
             images are better appreciated as integral parts of visual practice, explained
             in terms of “a visual mediation of relations among a particular group of
             humans and the forces that help to organize their world.” His explanation
             that images and objects can operate very powerfully in religious practice “by
             organizing the spaces of worship and devotion, delineating certain places
             as  sacred,  such  as  pilgrimage  sites,  temples,  domestic  spaces,  and  public
             religious  festivals”  may  be  illustrated  by  the  following  practice  (Morgan
             2005: 55). In the reinvention of the Wesleyan camp meeting tradition in my
             native Ghana, I have often been struck by the innovative transformation of
             secular spaces into sacred ones by the installation of a cross. Camp meetings
             among Ghanaian Methodists take place in public parks. To set that space
             apart from its previous profane uses, a giant wooden cross is erected in the
             center of the park to signify that space as temporary sacred space.
               The cross usually remains there for the entire duration of the camp meeting
             as the focus of community and ritual. The worshipping community believes
             in the newly acquired status of these usually grassless parks and would often
             collect the sand used to mount the cross for whatever therapeutic purposes
             they can serve after the camp meeting. The image, Morgan states,

               declares by virtue of its signage or its iconic presence or its incursion into
               otherwise profane space or its complete isolation from everyday traffic
               that  something  significant  is  happening,  or  once  did,  that  the  devout
               should pay special heed.
                                                             (Morgan 2005: 56)

               The enthronement of the holy book in Sikhism, as cited by Morgan, and
             the presence of images in worship such as the cross in African Methodist
             camp meeting traditions and on local and international pilgrimage sites such
             as Mecca and Lourdes thoroughly vindicate his exposition. And among the
             import of images to religious communities, Morgan refers to how they have
             been employed as media of communication with the “unseen, mysterious,
             and  potentially  uncontrollable  forces  that  are  understood  to  govern  life”
             (Morgan 2005: 59).


             Religious pluralism, media, and community

             All the empirical data point to the fact that modern media, particularly in
             its electronic forms, have been at the center of the resurgence of religious
             consciousness  since  the  middle  of  the  twentieth  century.  Evangelically
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