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334    PART 5    SHAPING THE MARKET OFFERINGS





                                                              •  Hearts on Fire diamonds. De Beers brought branding to
                                                                 diamonds decades ago, making them a symbol of love and commit-
                                                                 ment in part through its “Diamonds Are Forever” ad campaign in
                                                                 1948. The marketers of Hearts of Fire diamonds have found a
       Marketing InsightInsight
       Marketin           g                                      market niche as the  “World’s Most Perfectly Cut Diamond.”
                                                                 Although diamonds have become increasingly commoditized on the
                                                                 basis of the four Cs that define quality—cut, clarity, color, and
                                                                 carat—Hearts on Fire have a unique “hearts and arrow” design.
                                                                 When viewed magnified from the bottom, eight perfect hearts ap-
        Marketing Luxury Brands                                  pear; from the top, eight perfect fire bursts are seen. Sold through
                                                                 independent jewelers, Hearts on Fire commands a 15 percent to
        Luxury products are perhaps one of the purest examples of branding,  20 percent premium over a comparable diamond from Tiffany & Co.
        because the brand and its image are often key competitive advantages
        that create enormous value and wealth for organizations. Marketers for  The recent economic recession challenged many luxury brands as
        luxury brands such as Prada, Gucci, Cartier, and Louis Vuitton manage  they tried to justify their value proposition and avoid discounting their prod-
        lucrative franchises that have endured for decades in what some believe  ucts.Those that have successfully extended their brands vertically across a
        is now a $270 billion industry.                       range of price points are usually the most immune to economic downturns.
           Just like marketers in less expensive and more “down-to-earth”  The Armani brand extended from high-end Giorgio Armani and
        categories, however, those guiding the fortunes of luxury brands must  Giorgio Armani Privé to mid-range luxury with Emporio Armani, to afford-
        do so in a constantly evolving—and sometimes rapidly changing—  able luxury with Armani Jeans and Armani Exchange. Clear differentiation
        marketing environment. Globalization, new technologies, financial  exists between these brands, minimizing the potential for consumer con-
        crises, shifting consumer cultures, and other forces necessitate that  fusion and brand cannibalization. Each also lives up to the core promise
        marketers of luxury brands be skillful and adept at their brand steward-  of the parent brand, reducing chances of hurting the parent’s image.
        ship to succeed.  Table 12.1 summarizes some key guidelines in  Horizontal extensions into new categories can also be tricky for luxury
        marketing luxury brands.                              brands. Even the most loyal consumer might question a $7,300
           Significantly higher priced than typical items in a category, luxury  Ferragamo watch or an $85 bottle of Roberto Cavalli vodka. Jewelry
        brands for years were about social status and who a customer was—or  maker Bulgari has moved into hotels, fragrances, chocolate, and skin
        perhaps wanted to be. Times have changed, and especially in the face  care, prompting some branding experts to deem the brand overstretched.
        of a crippling recession, luxury has for many become more about per-  In the past, iconic fashion designers Pierre Cardin and Halston
        sonal pleasure and self-expression.                   licensed their names to so many ordinary products that the brands were
           The common denominators of luxury brands are quality and  badly tarnished. Ralph Lauren, however, has successfully marketed an
        uniqueness. A luxury shopper must feel that what he or she is get-  aspirational luxury brand with wholesome all-American lifestyle imagery
        ting is truly special. Enduring style and authenticity are often critical  across a wide range of products. Besides clothing and fragrances,
        to justifying a sometimes highly extravagant price. Hermès,  Lauren boutiques sell linens, candles, beds, couches, dishware, photo
        the French luxury leather-goods maker, sells its classic designs for  albums, and jewelry. Calvin Klein has adopted a similarly successful
        hundreds or even thousands of dollars, “not because they are in  expansive strategy, though with different lifestyle imagery.
        fashion,” as one writer put it, “but [because] they never go out of  In an increasingly wired world, some luxury marketers have struggled
        fashion.” Look at how luxury brands have been created across a  to find the appropriate online selling and communication strategies for their
        range of other categories:                            brand. Ultimately, success depends on getting the right balance of classic
                                                              and contemporary imagery and continuity and change in marketing pro-
        •  Sub-Zero refrigerators. Sub-Zero sells refrigerators that  grams and activities.Luxury is also not viewed in the same way everywhere.
           range from $1,600 for small, under-counter types to $12,000  In post-communist Russia for a time, the bigger and gaudier the logo the
           for its specialty Pro 48 model with a stainless steel interior. The  better. But in the end, luxury brand marketers have to remember they are
           target is home owners with high standards of performance and  often selling a dream, anchored in product quality, status, and prestige.
           design who cherish their home and what they buy to furnish it.
           Sub-Zero extensively surveys this group as well as the kitchen  Sources: Beth Snyder Bulik, “Sub-Zero Keeps Its Cool in a Value-Obsessed
           designers, architects, and retailers who plan for and sell their  Economy,” Advertising Age, May 25, 2009, p. 14; David K. Randall, “Dandy
                                                              Corn,” Forbes, March 10, 2008, p. 70; Christopher Palmeri, “The Barroom Brawl
           products.
                                                              over Patron,” BusinessWeek, September 17, 2007, p. 72; Bethany McLean,
        •  Patrón tequila. Cofounded by Paul Mitchell hair care founder  “Classic Rock,” Fortune, November 12, 2007, pp. 35–39; Dan Heath and Chip
                                                              Heath, “The Inevitability of $300 Socks,” Fast Company, September 2007,
           John Paul DeJoria, Patrón came about after a 1989 trip to a distill-
                                                              pp. 68–70; Stellene Volande, “The Secret to Hermès’s Success,” Departures,
           ery in the small Mexican state of Jalisco. Named Patrón to convey  November–December 2009, pp. 110–12; Cathy Horyn, “Why So Stodgy,
           “the boss, the cool guy,” the smooth agave tequila comes in an el-  Prada.com?” New York Times, December 30, 2009; Christina Binkley, “Like Our
                                                              Sunglasses? Try Our Vodka! Brand Extensions Get Weirder, Risking Customer
           egant hand-blown decanter and is sold in individually numbered
                                                              Confusion,” Wall Street Journal, November 8, 2007; Special Issue on Luxury
           bottles for $45 or more.                           Brands, Fortune, September 17, 2007.
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