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266                     JAMES G. HART

              perceiving, acting, and representing  in its various  forms  (picturing, reading,
              speaking,  etc.).^
                On  the  occasion  of  writing  about  "cultural  renewal"  Husserl  reserved
              the  term  "culture"  for  an  honorific  sense  which  he  contrasted  with
              "civilization" and  "tradition." Here  the  ideal  sense  of  culture  refers  to  a
              commual  spirituality  which  mediates  all  social  relationships  and  which  is
              characterized  by  a  habituality  which  is  always  ready  to  awaken  the
              received  achievements  to  their  original  intuitive  vaUdity,  beauty,  truth,
              etc.  Here  culture  is  authentic  culture.  Civilization  and  tradition,  however,
              are  the  inseparable  milieu  of  culture.  These  are  the  ways  achievements
              fall  into  the  merely  conventional  and  thereby  become  scarcely  under-
              stood.^ As  such,  civilization  and/or  tradition  are  not  capable  of  reproduc-
              ing  the  original  motivations. These  thus remain,  for  all  practical  purposes,
              dead.  Thus,  at  least  on  this  occasion,  civilization  and  tradition  are
              regarded  as  the  realm  of  the  inauthentic,  i.e.,  a  realm  in  which  there  is
              no  intuitive  legitimation  of  one's  thoughts  and  deeds,  analogous  to  the
              way  our  knowledge  of  9  X  9  =  81  is  automatic  and  uninsightful,  in
              contrast  to  1  +  1  +  1  =  3.  Culture  is  properly  authentic  or  approaches
              a  "philosophic  culture" when  it  has  the  steady  disposition  and  ability  to
              awaken  the  received  achievements  to  their  original  legitimating  intuitive
              senses.
                Religion  for  Husserl  in  the  Kaizo  essays  has  the  specific  meaning  of
              that  towards  which elemental  mythic  culture  develops.  The  lower  level  of
              mythic  culture,  proposes  Hussserl  at  least  on  one  occasion,  has  to  do
             with  the  way  a  people  establishes  a  practical  relation  to,  deals  with,
             placates,  etc.  the  cosmic  powers  which  pervade  the  world.  World  as  a
             totality,  he  noted  later  in  "The  Vienna  Lecture,"  becomes  a  theme  for
             the  mythico-religious  attitude.  The  mythico-religious  objects  or values  are




                  ^  I  deal  with  Husserl's  theory  of  culture  more  at  length  in  "The  Entelechy
             and  Authenticity of  Objective  Spirit: Reflections  on  Husserliana  XXVII," forthcoming
             in Husserl Studies',  also  in  "The  Rationality  of  Culture  and  the  Culture  of  Rationali-
             ty,"  forthcoming  in  the  Philosophy East  and  West  (1992).

                  ^  As  we  shall  see,  Husserl's  theory  resembles  Max  Weber's  view  that  there
             is  a  basic  pattern  where  charisma  tends  to  suffer  a  decline  and  to  give  way  to
             powers  of  tradition  and  rational  socialization.  The  "routinization"  of  bureaucracy
              is  the  well-known  devolution  of  the  charisma  of  the  great  founder.  Stanford  Lyman
             called  my  attention  to  this  parallel  at  the  CARP  Conference.  For  a  discussion  of
              these  matters, see  Reinhard  Bendix, Max  Weber: An  Intellectual Portrait (New  York:
              Doubleday  Anchor,  1962),  325-328.
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