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314                      MANO   DANIEL

              associated  in  the  main  with  the  Chicago  sociologists  during  the  twenties
              and  thirties,  had  made  attempts  to  utihze  biography  as  a  tool  in  the  a
              form  of  investigation  that  is  termed  "symbolic  interactionism."  In  this
              respect,  Sartre  was  echoing  a  key  theoretical  precept  in  symbolic
              interaction  for  the  connection  between  social  dynamics  and  historical
              change;  that  is,  an  interest  in  the  relationship  between  individual  and
              collective  praxis  and  sociohistorical  change.
                What   is  distinctive  in  Sartre,  however,  is  his  attempt  to  utilize
              biography  as  the  litmus  test  of  a  philosophical  theory  (or,  an  existential
              philosophical  anthropology);  that  is,  on  its  ability  to  explain  a  human  life.
              Sartre  held  that  while  a  person  cannot  be  the  object  of  conceptual
              knowledge,  it  does  not  follow  that  a  person  is  therefore  incomprehen-
              sible  by  arguing  "that  each  moment  in  a  series  is  comprehensible  on  the
              basis  of  the  initial  moment,  though irreducible to  it/'^^ Hence,  his  excursus
              into  existential  psychoanalysis—the  retroactive  search  for  an  original
              choice,  the  cardinal  factor,  by  which  each  human  being  fabricates  or
              fashions  herself  as  a  person,  tells  herself  what  and  who  she  is,  and
              adopts  a  characteristic  stance  toward  the  world—in  Being  and  Nothing-
             ness,  There,  his  brief  discussion  of  Flaubert  serves  as  a  prelude  to  his
             biographical  tome  on  the  French  writer.  Indeed,  the  attempt  to  show
             that  a  man  can  be  made  comprehensible  is  the  avowed  aim  of  Sartre's
             last  biography.  Sartre  was  constantly  trying  to  find  and  refine  tools  for
             understand  individuals  in  their  freedom.  As  Sartre  put  it  in  an  interview:

                     The  most  important  project  in  the  Flaubert  is  to  show  that  fundamen-
                     tally  everything  can  be  communicated,  that  . . . simply  as a  man  like  any
                     other,  one  can  manage  to  understand  another  man  perfectly,  if  one  has
                                                    .
                     access  to  all  the  necessary  elements. . .  my  goal,  to  prove  that  every
                     man  is  perfectly  knowable  as  long  as  one  uses  the  appropriate  method
                     and  as  long  as  the  necessary  documents  are  available.^*

                Consequently,  in  Search for  a  Method,  Sartre  proposes  the  strategy  he
             called  the  progressive-regressive  method:  it  is  progressive,  or  synthetic,  as
             it  attempts  "to  recover  the  totalizing  moment  of  enrichment which  engen-




                  ^^ Jean-Paul  Sartre, Critique  of Dialectical Reason,  translated  by Alan  Sheridan-
             Smith  (London:  Verso,  1982),  15.
                  ^*  Jean-Paul  Sartre,  "On  The  Idiot  of  the  Family,"in  Life/Situations,  translated
             by  Paul  Auster  and  Lydia  Davis  (New  York:  Pantheon  Books,  1977),  123.
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