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Articulating culture in the media age  97

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            greater or lesser extent and with positive or negative consequences. Since
            I have argued that it is problematic to think of interviews such as ours as
            evidence of behavior or practice  per se, we will not be drawing many
            conclusions about how media relate to the flow of daily life. However, we
            will be able to draw some inferences about how our informants think
            about these questions, and therefore about the capacities of media practice
            to relate in transparent or opaque ways to daily life.
              Another larger question relates to a matter we discussed in Chapters 2
            and 3: how optimistic or pessimistic to be about the reflexivity and self-
            consciousness of contemporary life, and the extent to which media culture
            contributes to these conditions. As we noted there, observers such as
            Kenneth Gergen have suggested that the cultural and conceptual suffusion
            of contemporary life – in which the media are centrally implicated – so
            overwhelms contemporary consciousness that the “self” has little room to
            maneuver. Gergen puts it this way:

               we are now bombarded with ever-increasing intensity by the images
               and actions of others; our range of social participation is expanding
               exponentially. As we absorb the views, values, and visions of others,
               and live out the multiple plots in which we are enmeshed, we enter a
               postmodern consciousness. It is a world in which we no longer experi-
               ence a secure sense of self, and in which doubt is increasingly placed
               on the very assumption of a bounded identity with palpable attributes.
               What are the consequences? How are we to respond to the coming
               conditions? 33

            As we saw there, other observers follow the influential lead of Anthony
            Giddens, who holds that there is reason to suspect that this condition leads
            to a sense of cultural autonomy in the crafting of the self as readily as it
            leads to  anomie. The difference may reside in how identity and self are
            conceptualized. Giddens, for example, holds that the self and identity
            are fluid rather than fixed, and are in the hands of individual social actors
            in a more or less constant process of construction and reconstruction.

               Self-identity . . . is not something that is just given, as a result of the
               continuities of the individual’s action-system, but something that has
               to be routinely created and sustained in the reflexive activities of the
               individual. . . . Self-identity is not a distinctive trait, or even a collec-
               tion of traits, possessed by the individual. It is the self as reflexively
               understood by the person in terms of her or his biography. 34

            To Giddens, then, something very much like our plausible narratives of the
            self are at the core of the creation and maintenance of the self and identity.
            The question of whether we are to see these processes as evidence of the
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