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GL O S SARY  OF  KE Y  TERMS















                         Capitalism: the form of social and economic organization most consistently associated
                             with the pursuit of private wealth; the defence of private property; the creation and
                             exchange of commodities for profit; and the direct ‘sale’ by workers (the working
                             class) of their ‘labour power’ to employers (the ruling class). Over the past two or
                             three centuries of its existence, capitalism has gone through various stages. The
                             current ‘late’ or ‘advanced’ phase of capitalism is characterized by marked shifts
                             in class relations and identities linked to changes in the organization both of paid
                             work in the ‘public’ world (such as the shift from manual to non-manual labour)
                             and of unpaid work in the ‘private’ world (like the large-scale movement of women
                             into the workplace and pressures for gender equality at home and at work).
                         Code: see text.

                         Commodification: the process by which people and things acquire value which enables
                             them to be exchanged for profit. In sport, for example, amateur play and players
                             have been turned into exchangeable services and products.
                         Communication: see media.
                         Culturalization: the process by which culture – the signs, symbols, meanings and values
                             circulating within and between societies – has become increasingly central to the
                             operation of all social institutions, including the political apparatus and economic
                             structures (see mediatization).
                         Cultural economy: a term used to describe both the cultural industries (such as pub-
                             lishers, music companies and art galleries) and the manner in which forms of
                             culture (like films, books, music, and even ideas and values) take on the appearance
                             of ordinary commodities, with their value rising and falling according to critical
                             reception, status, scarcity, public demand, and so on.
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