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STUART HALL, CULTURAL STUDIES AND MARXISM 89

            many  productive  insights,  but  it  does  not  deliver  the  synthesis  which  it
            promised. If it is the high point of the heroic age of cultural studies, it is
            also  the  end  point.  The  attempt  to  recast  cultural  studies  in  the  form  of
            Althusserian marxism has not been achieved. In the long run, the attempt
            to  understand  a  field  of  enquiry  which  had  been  delimited  in  terms  of
            expressive  humanism  with  the  methods  of  structuralist  marxism  proved
            impossible to complete.


                                THE ROAD FROM MARX
            In  its  classic  form,  then,  the  attempt  at  an  Althusserian  marxist  cultural
            studies had a life of at most ten years. It did not immediately and publicly
            collapse,  but  by  the  time  that  cultural  studies  was  experiencing
            internationalization, its specifically marxist element was already in serious
            decline.  In  retrospect,  it  is  clear  that  the  theoretical  developments  of  the
            mainsteam  of  cultural  studies  in  the  1980s  constituted  a  slow  movement
            away  from  any  self-identification  with  marxism.  The  inexorable  logic  of
            this development was probably as invisible to the protagonists as it was to
            outside  observers  such  as  the  present  author.  The  main  body  of  Hall’s
            writings during this period appeared in a journal with the title of Marxism
            Today, and his concerns remained throughout the decade centred upon the
            development of a ‘marxism without guarantees’.
              The gradual nature of this disengagement was partly because Hall’s road
            away  from  Marx  lay  through  the  writing  of  Laclau.  In  the  collection  of
            reviews  and  essays  which  formed  his  first  book,  Laclau  provided  a
            significant weakening of the rigours of the Althusserian version of marxism
            ‘from within’. Laclau was concerned to produce a ‘non-reductive’ theory of
            ideology and the mechanisms by which it functioned in society, especially
            with reference to the problem of classical fascism. For Laclau, the ‘correct
            method’ in understanding ideology was:
              to  accept  that  ideological  ‘elements’  taken  in  isolation  have  no
              necessary class connotation, and that this connotation is only the result
              of  the  articulation  of  those  elements  in  a  concrete  ideological
              discourse.  This  means  that  the  precondition  for  analysing  the  class
              nature  of  an  ideology  is  to  conduct  the  inquiry  through  that  which
              constitutes the distinctive unity of an ideological discourse.
                                                           (Laclau, 1979:99)
            This  proposition  has  two  concrete  consequences.  In  the  first  place,
            theoretically speaking, any ‘element’ could be part of any ‘class ideology’.
            Laclau chose the example of nationalism, which he argued was part of the
            ideology  of  various  and  diverse  social  classes.  Secondly,  the  internal
            ideological structure was more important for the purposes of analysis than
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