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STUART HALL, CULTURAL STUDIES AND MARXISM 87

            have been publicly aired at the Council of Europe Colloquy at the Leicester
            Centre for Mass Communication Research in September 1973. This early
            version  of  the  model  is  almost  entirely  ‘semiotic’  in  its  intellectual
            structure,  and  to  the  extent  that  it  deals  with  ‘ideology’  it  locates  the
            question in terms of differential decodings, particularly at the level of the
            necessary polysemic nature of connotation:
              Literal  or  denotative  ‘errors’  are  relatively  unproblematic.  They
              represent  a  kind  of  noise  in  the  channel.  But  ‘misreadings’  of  a
              message at the connotative or contextual level are a different matter.
              They  have,  fundamentally,  a  societal,  not  a  communicative,  basis.
              They  signify,  at  the  ‘message’  level  the  structural  conflicts,
              contradictions  and  negotiations  of  economic,  political  and  cultural
              life….  When  the  viewer  takes  the  connoted  meaning  from,  say,  a
              television  newscast  or  current  affairs  programme,  full  and  straight,
              and  decodes  the  message  in  terms  of  the  reference  code  in  which  it
              has been coded, we might say that the viewer is operating inside the
              dominant code.
                                                             (Hall, 1973:16)

            This is clearly a ‘Barthesian’ theory of the function of the mass media and
            it was to be much modified in subsequent versions.
              One element which is missing from all of the versions is any theoretical
            account of the process of encoding. In the first version, this took the form
            of simply bracketing out the problem of the social processes of television
            production on the grounds that these ‘at a certain moment…[issue] in the
            form of symbolic vehicles constituted within the rules of “language”’ (Hall,
            1973:3). None of the later versions made any substantial additions to this
            area. This model thus followed the Althusserian prescription to concentrate
            upon ‘the particular essences of the specific elements of the superstructure’
            very closely. Since there was no attempt to demonstrate how the dominant
            ideological  encoding  of  television  discourse  might  be  related  to  the
            structure  of  society,  this  model  escaped  by  default  the  charge  that  it
            operated with a reductionist theory of culture.
              The problematic aspects of the Althusserian legacy surfaced in the other,
            decoding, moment of the theory. Althusser’s treatment of ideology had two
            important features. He argued that ideology was always embedded in what
            he termed ‘ideological state apparatuses’. While there were problems with
            what he included in the list of such apparatuses, the proposition that the
            mass  media  or  the  education  system  functioned  primarily  but  not
            exclusively  through  ideology  could  command  widespread  support.  Much
            more contentious was the proposition that ideology was fundamentally an
            unconscious  operation  which  was  constituted  through  the  entry  of  the
            subject into language. In order to speak, the individual had to negate itself
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