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STUART HALL, CULTURAL STUDIES AND MARXISM 83

            that ‘narrow ridge’ which Thompson had mapped as their proper terrain.
            What  was  unique  about  the  Birmingham  case  was  that  they  took  up  the
            version  of  marxism  which  prided  itself  on  the  fact  that  it  was  the  most
            rigorously  ‘anti-humanist’  of  intellectual  projects.  As  Althusser  famously
            put it: ‘In 1845, Marx broke radically with every theory that based history
            and  politics  on  an  essence  of  man’  (Althusser,  1969:227).  According  to
            Althusser,  ‘socialist  humanism’  was  an  ideological  intrusion  into  the
            province  of  marxist  science.  The  shift  to  marxism  involved  a  rejection  of
            the  central  theoretical  premise  which  had  characterized  cultural  studies
            from the 1950s up until that time.
              The  fourth  major  point  also  follows  directly  from  the  Althusserian
            character of the marxism which was adopted by Hall and the majority of
            the Centre’s graduate students. The first phase of cultural studies had, as
            we saw above, an ‘expressive’ notion of culture. It was also, as Williams’
            persistent  stress  upon  ‘a  whole  way  of  life’  and  his  concern  with  the
            ‘structure  of  feeling’  illustrate,  one  which  strove  towards  an
            understanding of the ways in which the various different aspects of human
            experience fitted together and formed a whole. Taken together, these views
            of culture constitute a native version of the ‘expressive totality’ on which
            Althusser  and  his  followers  spent  so  much  effort  in  an  attempt  at
            exorcising it from the corpus of marxism.
              In  the  place  of  the  expressive  totality,  and  what  were  seen  as  its
            irredeemable  tendencies  to  reduce  all  of  social  life  to  the  expression  of  a
            single  dominant  contradiction,  Althusserianism  offered  a  quite  different
            model of ‘the social formation’. In particular, the problem of determination
            was  relegated  to  the  last  instance.  The  theoretical  system  held  that  the
            ‘lonely  hour  of  the  last  instance’  really  never  did  strike.  The  centre  of
            attention  shifted  from  the  relations  between  base  and  superstructure  into
            an  elaboration  of  the  internal  articulation  of  the  superstructure  itself.  As
            Althusser put it:
              …the theory of the specific effectivity of the superstructures and other
              ‘circumstances’  largely  remains  to  be  elaborated;  and  before  the
              theory  of  their  effectivity  or  simultaneously…there  must  be  an
              elaboration  of  the  theory  of  the  particular  essences  of  the  specific
              elements of the superstructure.
                   (Althusser, 1969:113–14, emphasis as in original, here and in all
                                                 quoted material, this chapter)
            It  was  in  this  respect  that  Althusserian  marxism  was  at  its  most
            ‘structuralist’  and  at  its  greatest  distance  from  the  earlier  concerns  of
            cultural  studies.  The  close  affinity  of  aim  between  some  versions  of
            marxism and the older cultural studies had been based upon a shared belief
            that the artifacts of a particular culture could be shown to in some way be
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