Page 94 - Critical Dialogues in Cultural Studies
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82 COLIN SPARKS

              Modern  marxism  has  posed  in  new  ways  the  relations  of  base  and
              superstructure,  consciousness  and  being,  the  ways  in  which  social
              structure and their modes of production of culture and its realization
              in  the  world,  the  complex  and  mediated  link  between  an  historical
              epoch and its conceptions of the world.
                                                          (Anon, 1971:5, sic)
            There  are  here  echoes  of  Althusser,  in  the  focus  on  base  and
            superstructure,  but  also  of  Sartre  in  the  mention  of  ‘consciousness  and
            being’, and of Lukács in the use of the idea of ‘the complex and mediated
            link between an historical epoch and its conceptions of the world’. We may
            also  note  the  absence  from  this  discussion  of  the  term  ‘ideology’,  which
            would  come  to  dominate  much  of  theoretical  work  of  the  Birmingham
            Centre, and would come to be more or less the central concern of marxist
            cultural studies.
              The  very  first  phase  of  the  encounter  with  marxism  was  thus  an  open
            one,  in  which  there  was  no  predominant  ‘structuralist’  influence.  The
            above  passage  reviews  some  of  the  problems  of  the  different  approaches
            and  claims:  ‘No  single  orthodoxy  prevails  here.’  The  same  heterodoxy  is
            observable  in  the  papers  of  the  symposium  ‘Situating  Marx’  held  at  the
            Birmingham Centre in June 1971 (Walton and Hall, n.d.: 1–6).
              A  definite  ‘orthodoxy’  did,  however,  soon  come  to  prevail.  Out  of  the
            range of possible versions of marxism, including some like those of Sartre
            and  Lukács  which  were  much  closer  to  the  humanist  project  of  the  early
            cultural studies, the one which was preferred, and which came to stand for
            ‘marxism’ in its entirety, was Althusserian marxism. This was the version of
            marxism  which  borrowed  most  heavily  from  structuralism.  It  was  in  fact
            generally known simply as ‘structuralist marxism’. This version of marxism
            became the orthodoxy of the Birmingham Centre from around 1973. The
            editorial, and most of the contents, of Working Papers in Cultural Studies
            6 are clearly dominated by the new orthodoxy (Chambers et al., 1974). It
            must be admitted that it was a very tolerant orthodoxy, which permitted
            various  unbelievers,  including  even  the  very  odd  Lukácsian,  to  eke  out  a
            marginal  existence.  Nevertheless,  it  is  demonstrably  the  case  that  a  prior
            engagement  with  structuralism  overdetermined  the  appropriation  of
            marxism by the Birmingham Centre.
              The  third  point  concerns  the  consequences  of  adopting  such  a
            structuralist marxism for the relationship of the Birmingham Centre to its
            own  immediate  history.  It  is  true  that  in  its  adoption  of  the  Althusserian
            version  of  marxism  the  Birmingham  Centre  was  part  of  the  dominant
            mood   of  left  intellectual  culture  during  the  period,  which  was
            overwhelmingly attracted to such a position in the wake of 1968. Not least
            of the attractions of Althusserianism to left intellectuals was that it offered,
            in the idea of theoretical practice, an excellent legitimation for occupying
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