Page 123 - Critical Dialogues in Cultural Studies
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HANNO HARDT 111

            concerning communication and the media from outside its own sphere. By
            now it has become obvious that the study of communication and the media
            is  no  longer  the  academic  prerogative  of  one  discipline,  but  the  joint
            concern of several intellectual traditions.
              Notably the field of literary studies with its curiosity about the process
            of social communication, including the role of the media, has moved freely
            among leading intellectual currents and created an awareness of British and
            Continental  European  thought  and  its  contribution  to  the  modernist
            and postmodernist debates. In the meantime, mass communication research
            proceeded  with  its  narrowly  defined  task  of  investigating  communication
            and the media as autonomous social entities, demonstrating the definitive
            and  irreconcilable  difference  between  the  practitioners  of  pluralist
            functionalism  and  the  exponents  of  an  ideological  approach  to  the
            processes of culture and communication.
              Specifically,  the  British  cultural  studies  tradition  emerged  from  an
            intellectual  climate  created  and  sustained  by  a  political  discourse  (as
            represented  by  the  New  Left  Review),  which  operates  on  the  assumption
            that  the  social  and  economic  problems  of  Britain  cannot  be  solved  by
            current  conservative  or  liberal  socialist  theories;  instead,  marxism  as  a
            social  theory  is  not  only  capable  of  explaining,  but  also  of  changing  the
            conditions of British society. These debates, informed by the contributions
            of  western  European  marxism,  French  structuralism,  and  the  work  of
            Louis Althusser in particular, continue to serve as the intellectual resources
            for  alternative,  political  responses  to  the  problems  of  British  society,
            including the distribution of economic and political power and the role of
            the media.
              British cultural studies belong to an intellectual tradition in which mass
            communication research serves a useful purpose for a particular, if limited,
            perspective  on  culture.  Instead,  the  matrix  of  literature,  literary  criticism
            and marxism produces a convenient context for the questioning of cultural
            activities, including social communication. Such contextualization and the
            location  of  the  problematic  in  the  cultural  process,  specifically  among
            cultural,  political  and  economic  phenomena,  provided  descriptive  power
            and  theoretical  complexity  to  the  analysis  of  communication  and  media
            practice.  British  cultural  studies  also  appealed  to  the  critics  of  mass
            communication   research  with  its  provocative  investigations  of
            contemporary  social  problems,  demonstrating  a  sense  of  engagement
            between  political  practice  and  theoretical  consideration  within  the  public
            sphere. This is a qualitatively decisive difference from a system in which the
            nature and extent of social research depend upon the relationship between
            academic  organizations,  economic  interests,  and  the  political  system.
            Hence, mass communication research in the United States, with its primary
            location  within  the  organization  of  universities,  encounters  the  practical
            effects of politicizing research (for instance, through the policies of funding
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