Page 74 - The Art and Science of Analog Circuit Design
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Richard P. Feynman


         with lots of good materials, and they want the same thing to happen now.
         So they've arranged to make things like runways, to put fires along the
         sides of the runways, to make a wooden hut for a man to sit in, with two
         wooden pieces on his head like headphones and bars of bamboo sticking
         out like antennas—he's the controller—and they wait for the airplanes to
         land. They're doing everything right. The form is perfect. It looks exactly
         the way it looked before. But it doesn't work. No airplanes land. So I call
         these things cargo cult science, because they follow all the apparent pre-
         cepts and forms of scientific investigation, but they're missing something
         essential, because the planes don't land.
           Now it behooves me, of course, to tell you what they're missing. But it
         would be just about as difficult to explain to the South Sea Islanders how
         they have to arrange things so that they get some wealth in their system.
         It is not something simple like telling them how to improve the shapes of
         the earphones. But there is one feature I notice that is generally missing
         in cargo cult science. That is the idea that we all hope you have learned
         in studying science in school—we never explicitly say what this is, but
         just hope that you catch on by all the examples of scientific investigation.
         It is interesting, therefore, to bring it out now and speak of it explicitly.
         It's a kind of scientific integrity, a principle of scientific thought that cor-
         responds to a kind of utter honesty—a kind of leaning over backwards.
         For example, if you're doing an experiment, you should report everything
         that you think might make it invalid—not only what you think is right
         about it: other causes that could possibly explain your results; and things
         you thought of that you've eliminated by some other experiment, and
         how they worked—to make sure the other fellow can tell they have been
         eliminated.
           Details that could throw doubt on your interpretation must be given, if
         you know them. You must do the best you can—if you know anything at
         all wrong, or possibly wrong—to explain it. If you make a theory, for
         example, and advertise it, or put it out, then you must also put down all
         the facts that disagree with it, as well as those that agree with it. There is
         also a more subtle problem. When you have put a lot of ideas together to
         make an elaborate theory, you want to make sure, when explaining what
         it fits, that those things it fits are not just the things that gave you the idea
         for the theory; but that the finished theory makes something else come
         out right, in addition.
           In summary, the idea is to try to give all of the information to help
         others to judge the value of your contribution; not just the information
         that leads to judgment in one particular direction or another.
           The easiest way to explain this idea is to contrast it, for example, with
         advertising. Last night I heard that Wesson oil doesn't soak through
         food. Well, that's true. It's not dishonest; but the thing I'm talking about
         is not just a matter of not being dishonest, it's a matter of scientific in-
         tegrity, which is another level. The fact that should be added to that ad-
         vertising statement is that no oils soak through food, if operated at a


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