Page 137 - The Disneyization of Society
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THE DISNEYIZATION OF SOCIETY



                   becomes a means of distinguishing one service from another. This feature is
                   especially important when there is otherwise little to distinguish the services
           128     being delivered, as in fast food restaurants and airline services. In a sense, emotional
                   and aesthetic labour become important for service organizations that have
                   become McDonaldized and therefore highly standardized and homogenous.
                   Critics of emotional labour have sometimes argued that it has a deleterious effect
                   on those who are enticed to, or who feel otherwise compelled to, exhibit it in
                   order to fulfil their work roles because it creates a sense of personal inauthenticity.
                   However, the evidence for such a view is not entirely compelling; instead, it is
                   apparent that many people derive considerable enjoyment from acting a role.
                   Perhaps, as increasing numbers of workers are engaged in this kind of work, they
                   become more used to it and it becomes less exceptional and therefore less prob-
                   lematic for them. However if this were to be the case, it would mean that a
                   differentiation strategy based on performative labour is also becoming less excep-
                   tional, implying that that many organizations will begin to look for ever more
                   distinctive ways of delivering services building on emotional and aesthetic labour
                   within a customer care framework. Ultimately, then, differentiation strategies
                   like emotional labour can become self-defeating if the strategy itself becomes
                   commonplace.



                                                    Notes


                    1 Pine and Gilmore (1999: x).        23 Van Maanen (1991: 65).
                    2 Pine and Gilmore (1999: 112).      24 Raz (1999: 114–15).
                    3 Hochschild (1983: 7).              25 Quoted in Ellwood (1998: 17).
                    4 Rafaeli and Sutton (1989).         26 Bright (1987: 111).
                    5 Walton (1985).                     27 Quoted in Lipsitz (1993: 187).
                    6 Peters and Waterman (1982); Peters and  28 France (1991: 22).
                      Austin (1985).                     29 Blocklyn (1988); Eisman (1993).
                    7 Hamel and Prahalad (1994: 129, 134).  30 For example, see Johnson (1991).
                    8 For example, Legge (1995).         31 For example, Connellan (1996); Peters
                    9 Korczynski (2002: 62).                and Waterman (1982); Zemke (1989).
                   10  Hochschild (1983: 4, emphases in original).  32 McGill (1989: 4).
                   11 Henkoff (1994).                    33 Leidner (1993); Peñaloza (1999).
                   12 Bitner et al. (1990).              34 Koenig (1994, 1999); Van Maanen (1991).
                   13 Solomon (1998).                    35 Van Maanen (1991).
                   14 du Gay and Salaman (1992); Legge (1995);  36 Raz (1999: 103).
                      Sturdy (2001).                     37 Zibart (1997).
                   15 Sorkin (1992: 228).                38 Rosenthal et al. (1997).
                   16 Eisner (1999: 228).                39 Quoted in Watts (1997: 172).
                   17 Wiley (1999–2000: 54).             40 Hollister (1940: 697).
                   18 Disney Institute (2001: 30).       41 Hochschild (1983).
                   19 Disney Institute (2001: 61).       42 Bellas (1999).
                   20 Disney Institute (2001: 85).       43 Findlay (1992: 101).
                   21 Disney Institute (2001: 87).       44 Quoted in Taylor and Tyler (2000: 87).
                   22 Disney Institute (2001: 86).       45 Quoted in Linstead (1995: 197).
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