Page 188 - The Green Building Bottom Line The Real Cost of Sustainable Building
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166  CHAPTER 5



                     the play, that they’re lost. And Henslowe, who has been a complete nervous Nelly
                     throughout, is suddenly and absolutely calm, and he tells Shakespeare that everything
                     will turn out well. Shakespeare wants to know how. Henslowe admits he doesn’t know.
                       But Henslowe is right. It all turns out well. It’s the magic of theater. This so-called
                     magic has also played out at Abercorn Common. Early on in the project, our staff
                     determined to make it and every other project going forward a green development. We
                     were green ourselves in our experience with LEED, having delivered only one prior
                     project to LEED criteria. It’s hard to remember that now, six or seven years later, but
                     we really had no idea what we were getting ourselves into. That may seem foolhardy,
                     but maybe it’s the magic of green.
                       I mean that in both senses of green, which are actually intertwined. There has, his-
                     torically, been a certain magic associated with our green orientation, of doing well
                     financially by taking the ethical stance of being better stewards of our land and our
                     community. That has never been the overt intent. As a company, we never made the
                     decision to do the right thing in order to be successful. It has simply worked out that
                     way. Things have turned out well.
                       I think a partial explanation is, in fact, that we are often green when it comes to our
                     approach to development challenges. As un-businesslike as it probably sounds, some-
                     times it pays to approach a development project with fresh eyes, eyes that may not see
                     all the reasons why a new and different approach won’t work. And I do think there is
                     something to be said for stepping beyond the bounds of the known, in the interest of
                     furthering a few things that need to go right and to promote smarter, better develop-
                     ment practices. Our company finds itself in that same situation today, having signed
                     on to the 2030 Challenge, which calls for dramatic reductions in carbon emissions
                     from all of our development projects from this date forward. We don’t know (yet) how
                     we will deliver on that commitment. We simply know it needs to be done.


                     NOTES
                     1  David W. Orr, The Nature of Design: Ecology, Culture, and Human Intention (New York:
                     Oxford University Press, 2002), p. 203.
                     2  Jason F. McLennan,  The Philosophy of Sustainable Design:  The Future of  Architecture
                     (Kansas City, Mo.: Ecotone Publishing, 2004), p. 80.
                     3  Lawrence S. Earley, Looking for Longleaf: The Fall and Rise of an American Forest (Chapel
                     Hill, N.C.: The University of North Carolina Press, 2004), p. 2.
                     4  Timothy Beatley and Kristy Manning, The Ecology of Place: Planning for Environment,
                     Economy, and Community (Washington, D.C.: Island Press, 1997), p. 157.
                     5  Jason F. McLennan,  The Philosophy of Sustainable Design: The Future of  Architecture
                     (Kansas City, Mo.: Ecotone Publishing, 2004), p. 80.
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