Page 102 - The Language of Humour
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SPOKEN HUMOUR- TELEVISION AND RADIO 89
            produce significant amounts of scripted humour. Radio 4 unfortunately
            has such a limited audience—appealing mainly to middle-aged,
            middleclass listeners—that much new comedy is not heard by a wider
            audience until it breaks into television—and the best does so! (Alan
            Partridge, Brass Eye, This is the Day, Hitchhiker’s Guide to the Galaxy,
            etc). Although the quality is innovative, so that it should appeal to a
            wider  and  younger audience,  examples will not be  included here,
            because of lack of space.

                                    Television

            The examples in the activities have been drawn from television. There
            is a great variety of comedy on TV and it reaches a large audience, so it
            is potentially very influential. Television has a range of types of scripted
            humour, which  can be summarised briefly to provide a guide for
            classifying and selecting examples for your own analysis.

                             SITUATION COMEDIES

            Sitcoms have a series of weekly shows based around an initial idea of a
            situation and characters with potential for humour. These  characters
            remain essentially the same, rather than developing as they would in
            comedy drama; (such examples would need to be examined within the
            context of other dramatic techniques). The humour in a sitcom comes
            from playing around with the  comic possibilities of those particular
            character types interacting with each other in that situation, and may not
            involve lines or gags which are funny in isolation.
              Analysis of the humour requires comment on the humorous potential
            of the situation itself, as well as examining individual occurrences of
            humour. (The entire transcript of an episode would provide too much data
            for close analysis.) For example, Steptoe and Son featured father and
            son rag and bone merchants;  The Good Life followed neighbouring
            couples  with different lifestyles. The type  of  situation perceived as
            funny will ref lect preoccupations of that culture; perhaps the previous
            examples no longer have dramtic or humorous impact. Although British
            comedy has  a high  reputation and used to  claim a  higher degree  of
            subtlety and irony, some of the most popular recent sitcoms are from the
            USA:  Roseanne and  Friends.  It  is  interesting to note the type of
            situation which is perceived  as  having humorous  potential for  the
            society of the time. Roseanne, for example, was one of many American
            sitcoms  featuring strong women as the  central character;  Friends
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